Chapters (68)
- Title Page
- Dedication
- Acknowledgments
- Epigraph
- Map
- Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Part 2
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Part 3
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Part 4
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Part 5
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Part 6
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Part 7
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Part 8
- Chapter 52
- Other Books by China Miéville
- Praise for Perdido Street Station
- Copyright
The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry . . . each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the æther. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.
Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.
It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept.
It crawled with life. There were others like our bearer, more of the dancing mad gods, glimpsed across an infinity of webwork.
There were other creatures, too, terrible intricate shapes I will not recall.
The web is not without flaw. In innumerable places the silk is torn and the colours ruined. Here and there the patterns are strained and unstable. As we passed these wounds, I felt the dancing mad god pause and flex its spinneret, repairing and restaining.
A little way off was the tight silk of the Cymek. I swear I caught its oscillations as the worldweb flexed under the weight of time.
Around me was a little localized tangle of metareal gossamer . . . New Crobuzon. And there rending the woven strands in the centre was an ugly tear. It spread out and split the fabric of the city-web, taking the multitude of colours and bleeding them dry. They were left a drab and lifeless white. A pointless emptiness, a pallid shade a thousand times more soulless even than the eye of some sightless caveborn fish.
As I watched, my pained eyes wide with insight, I saw that the rip was widening.
I was so afraid of the spreading rent. And I was dwarfed by the enormity of it all, of the whole of the web. I shut my eyes tight.
I could not close down my mind. It scrambled, unbidden, to remember what it had seen. But it could not contain it. I was left only with a sense of it all. I remember it now as a description. The weight of its immensity is no longer present in my head.
That is the etiolated memory that captivates me now.
I have danced with the spider. I have cut a caper with the dancing mad god.
PART FIVE
Councils
Chapter 34
CHAPTER THIRTY-FOUR