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Chapters (68)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Epigraph
  5. Map
  6. Part 1
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Part 2
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Part 3
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Part 4
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Part 5
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 6
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Part 7
  58. Chapter 46
  59. Chapter 47
  60. Chapter 48
  61. Chapter 49
  62. Chapter 50
  63. Chapter 51
  64. Part 8
  65. Chapter 52
  66. Other Books by China Miéville
  67. Praise for Perdido Street Station
  68. Copyright

The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry . . . each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the æther. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.

Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.

It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept.

It crawled with life. There were others like our bearer, more of the dancing mad gods, glimpsed across an infinity of webwork.

There were other creatures, too, terrible intricate shapes I will not recall.

The web is not without flaw. In innumerable places the silk is torn and the colours ruined. Here and there the patterns are strained and unstable. As we passed these wounds, I felt the dancing mad god pause and flex its spinneret, repairing and restaining.

A little way off was the tight silk of the Cymek. I swear I caught its oscillations as the worldweb flexed under the weight of time.

Around me was a little localized tangle of metareal gossamer . . . New Crobuzon. And there rending the woven strands in the centre was an ugly tear. It spread out and split the fabric of the city-web, taking the multitude of colours and bleeding them dry. They were left a drab and lifeless white. A pointless emptiness, a pallid shade a thousand times more soulless even than the eye of some sightless caveborn fish.

As I watched, my pained eyes wide with insight, I saw that the rip was widening.

I was so afraid of the spreading rent. And I was dwarfed by the enormity of it all, of the whole of the web. I shut my eyes tight.

I could not close down my mind. It scrambled, unbidden, to remember what it had seen. But it could not contain it. I was left only with a sense of it all. I remember it now as a description. The weight of its immensity is no longer present in my head.

That is the etiolated memory that captivates me now.

I have danced with the spider. I have cut a caper with the dancing mad god.

PART FIVE

Councils

Chapter 34

CHAPTER THIRTY-FOUR