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Chapters (68)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Epigraph
  5. Map
  6. Part 1
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Part 2
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Part 3
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Part 4
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Part 5
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 6
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Part 7
  58. Chapter 46
  59. Chapter 47
  60. Chapter 48
  61. Chapter 49
  62. Chapter 50
  63. Chapter 51
  64. Part 8
  65. Chapter 52
  66. Other Books by China Miéville
  67. Praise for Perdido Street Station
  68. Copyright

“That’s better!” Isaac announced over his shoulder to David. “Damn thing can clean again. Back to normal!”

Chapter 21

CHAPTER TWENTY-ONE

In the huge, crisp cocoon, extraordinary processes began.

The caterpillar’s swathed flesh began to break down. Legs and eyes and bristles and body-segments lost their integrity. The tubular body became fluid.

The thing drew on the stored energy it had drawn from the dreamshit and powered its transformation. It self-organized. Its mutating form bubbled and welled up into strange dimensional rifts, oozing like oily sludge over the brim of the world into other planes and back again. It folded in on itself, shaping itself out of the protean sludge of its own base matter.

It was unstable.

It was alive, and then there was a time between forms when it was neither alive nor dead, but saturated with power.

And then it was alive again. But different.

Spirals of biochymical slop snapped into sudden shapes. Nerves that had unwound and dissolved suddenly spun back into skeins of sensory tissue. Features dissolved and reknitted in strange new constellations.

The thing flexed in inchoate agony and a rudimentary, but growing, hunger.

Nothing was visible from the outside. The violent process of destruction and creation was a metaphysical drama played out without an audience. It was hidden behind an opaque curtain of brittle silk, a husk that hid the changing with a brute, instinctual modesty.

After the slow, chaotic collapse of form, there was a brief moment when the thing in the cocoon was poised in a liminal state. And then, in response to unthinkable tides of flesh, it began to construct itself anew. Faster and faster.

Isaac spent many hours watching the chrysalis, but he could only imagine the struggle of autopoiesis within. What he saw was a solid thing, a strange fruit hanging by an insubstantial thread in the musty darkness of a large hutch. He was perturbed by the cocoon, imagining all manner of gigantic moths or butterflies emerging. The cocoon did not change. Once or twice he prodded it gingerly, and set it rocking gently and heavily for a few seconds. That was all.

Isaac watched and wondered about the cocoon when he was not working on his engine. It was that that took most of his time.

Piles of copper and glass began to take shape on Isaac’s desk and floor. He spent his days soldering and hammering, attaching steam-pistons and thaumaturgic engines to the nascent engine. His evenings he spent in pubs, in discussion with Gedrecsechet, the Palgolak Librarian, or David or Lublamai, or ex-colleagues from the university. He spoke carefully, not giving away too much, but with passion and fascination, drawing out discussions on maths and energy and crisis and engineering.