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Chapters (68)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Epigraph
  5. Map
  6. Part 1
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Part 2
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Part 3
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Part 4
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Part 5
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 6
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Part 7
  58. Chapter 46
  59. Chapter 47
  60. Chapter 48
  61. Chapter 49
  62. Chapter 50
  63. Chapter 51
  64. Part 8
  65. Chapter 52
  66. Other Books by China Miéville
  67. Praise for Perdido Street Station
  68. Copyright

She would turn and pick up the beginnings of the work, the three-toed reptile claw that was one of Mr. Motley’s feet, and she would tie it into place on a low bracket. Then she would turn back and kneel, facing her subject, opening the little chitin case protecting her gland and fastening the nether lips at the rear of her headbody with a gentle slup onto the edge of the sculpture behind her.

First, Lin would gently spit a little of the enzyme that broke down the integrity of the already hardened khepri-spit, returning the edge of her work-in-progress to a thick sticky mucus. Then she would focus hard on the section of the leg she was working on, taking in what she could see and remembering the features out of her sight, the exoskeletal jags, the muscular cavities; she would begin gently to squeeze the thick paste from her gland, her sphincter-lips dilating and contracting and extending, rolling and smoothing the sludge into shape.

She used the opalescent nacre of the khepri-spit to good effect. At certain places, though, the hues of Mr. Motley’s bizarre flesh were too spectacular, too arresting, not to be represented. Lin would glance down and grab a handful of the colourberries arrayed on her pallet before her. She would take them in subtle combinations and quickly eat them, a careful cocktail of redberries and cyanberries, say, yellowberries and purpleberries and blackberries.

The vivid juice would be spat through her headguts, down peculiar intestinal byways and into an adjunct of her main thoracic sac, and within four or five minutes she could push the mixed colour into the diluted khepri-spit. She would smear the liquid froth into careful position, slopping astonishing tones in suggestive patches and scabs, where it coagulated quickly into shape.

It was only at the end of hours of work, bloated and exhausted, her mouth foul with berry acid and the musty chalk of the paste, that Lin could turn and see her creation. That was the skill of the gland-artist, who had to work blind.

The first of Mr. Motley’s legs was coming along, she had decided, with some pride.

The clouds just visible through the skylight moiled vigorously, dissolving and recombining in scraps and shards in new parts of the sky. The air in the attic was very still, by comparison. Dust hung motionless. Mr. Motley stood poised against the light.

He was good at staying very still, as long as one of his mouths kept up a rambling monologue. Today he had decided to talk to Lin about drugs.