Chapters (68)
- Title Page
- Dedication
- Acknowledgments
- Epigraph
- Map
- Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Part 2
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Part 3
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Part 4
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Part 5
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Part 6
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Part 7
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Part 8
- Chapter 52
- Other Books by China Miéville
- Praise for Perdido Street Station
- Copyright
She would turn and pick up the beginnings of the work, the three-toed reptile claw that was one of Mr. Motley’s feet, and she would tie it into place on a low bracket. Then she would turn back and kneel, facing her subject, opening the little chitin case protecting her gland and fastening the nether lips at the rear of her headbody with a gentle slup onto the edge of the sculpture behind her.
First, Lin would gently spit a little of the enzyme that broke down the integrity of the already hardened khepri-spit, returning the edge of her work-in-progress to a thick sticky mucus. Then she would focus hard on the section of the leg she was working on, taking in what she could see and remembering the features out of her sight, the exoskeletal jags, the muscular cavities; she would begin gently to squeeze the thick paste from her gland, her sphincter-lips dilating and contracting and extending, rolling and smoothing the sludge into shape.
She used the opalescent nacre of the khepri-spit to good effect. At certain places, though, the hues of Mr. Motley’s bizarre flesh were too spectacular, too arresting, not to be represented. Lin would glance down and grab a handful of the colourberries arrayed on her pallet before her. She would take them in subtle combinations and quickly eat them, a careful cocktail of redberries and cyanberries, say, yellowberries and purpleberries and blackberries.
The vivid juice would be spat through her headguts, down peculiar intestinal byways and into an adjunct of her main thoracic sac, and within four or five minutes she could push the mixed colour into the diluted khepri-spit. She would smear the liquid froth into careful position, slopping astonishing tones in suggestive patches and scabs, where it coagulated quickly into shape.
It was only at the end of hours of work, bloated and exhausted, her mouth foul with berry acid and the musty chalk of the paste, that Lin could turn and see her creation. That was the skill of the gland-artist, who had to work blind.
The first of Mr. Motley’s legs was coming along, she had decided, with some pride.
The clouds just visible through the skylight moiled vigorously, dissolving and recombining in scraps and shards in new parts of the sky. The air in the attic was very still, by comparison. Dust hung motionless. Mr. Motley stood poised against the light.
He was good at staying very still, as long as one of his mouths kept up a rambling monologue. Today he had decided to talk to Lin about drugs.