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Chapters (68)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Epigraph
  5. Map
  6. Part 1
  7. Chapter 1
  8. Chapter 2
  9. Chapter 3
  10. Chapter 4
  11. Chapter 5
  12. Part 2
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Part 3
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Part 4
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. Chapter 30
  40. Chapter 31
  41. Chapter 32
  42. Chapter 33
  43. Part 5
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. Part 6
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Part 7
  58. Chapter 46
  59. Chapter 47
  60. Chapter 48
  61. Chapter 49
  62. Chapter 50
  63. Chapter 51
  64. Part 8
  65. Chapter 52
  66. Other Books by China Miéville
  67. Praise for Perdido Street Station
  68. Copyright

“I was in court the other day, saw a Magister sentence a woman to Remaking. Such a sordid, pathetic, miserable crime . . .” She winced in remembrance. “Some woman living at the top of one of the Ketch Heath monoliths killed her baby . . . smothered it or shook it or Jabber knows what . . . because it wouldn’t stop crying. She’s sitting there in court, her eyes are just . . . damn well empty . . . she can’t believe what’s happened, she keeps moaning her baby’s name, and the Magister sentences her. Prison, of course, ten years I think, but it was the Remaking that I remember.

“Her baby’s arms are going to be grafted to her face. ‘So she doesn’t forget what she did,’ he says.” Derkhan’s voice curdled as she mimicked the Magister.

They walked in silence for a while, dutifully munching candyfloss.

“I’m an art critic, Isaac,” Derkhan said eventually. “Remaking’s art, you know. Sick art. The imagination it takes! I’ve seen Remade crawling under the weight of huge spiral iron shells they retreat into at night. Snail-women. I’ve seen them with big squid tentacles where their arms were, standing in river mud, plunging their suckers underwater to pull out fish. And as for the ones made for the gladiatorial shows . . . ! Not that they admit that’s what they’re for . . .

“Remaking’s creativity gone bad. Gone rotten. Gone rancid. I remember you once asked me if it was hard to balance writing about art and writing for RR.” She turned to look at him as they paced through the fair. “It’s the same thing, Isaac. Art’s something you choose to make . . . it’s a bringing together of . . . of everything around you into something that makes you more human, more khepri, whatever. More of a person. Even with Remaking a germ of that survives. That’s why the same people who despise the Remade are in awe of Jack Half-a-Prayer, whether or not he exists.

“I don’t want to live in a city where Remaking is the highest art.”

Isaac felt in his pocket for Runagate Rampant. It was dangerous even to hold a copy. He patted it, mentally thumbing his nose to the north-east, at Parliament, at Mayor Bentham Rudgutter and the parties squabbling over how to slice up the cake amongst themselves. The Fat Sun and Three Quills parties; Diverse Tendency, whom Lin called “comprador scum”; the liars and seducers of the Finally We Can See party; the whole pompous bickering brood like all-powerful six-year-olds in a sandpit.

At the end of the path paved with bon-bon wrappers, posters, tickets and crushed food, discarded dolls and burst balloons, stood Lin, lounging by the entrance to the fair. Isaac smiled with unfeigned pleasure at seeing her. As they neared her she stood straighter and waved at them. She sauntered in their direction.

Isaac saw that she had a toffee-apple gripped in her mandibles. Her inner jaw chewed with gusto.