Chapters (68)
- Title Page
- Dedication
- Acknowledgments
- Epigraph
- Map
- Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Part 2
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Part 3
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Part 4
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Part 5
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Part 6
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Part 7
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Part 8
- Chapter 52
- Other Books by China Miéville
- Praise for Perdido Street Station
- Copyright
“I was in court the other day, saw a Magister sentence a woman to Remaking. Such a sordid, pathetic, miserable crime . . .” She winced in remembrance. “Some woman living at the top of one of the Ketch Heath monoliths killed her baby . . . smothered it or shook it or Jabber knows what . . . because it wouldn’t stop crying. She’s sitting there in court, her eyes are just . . . damn well empty . . . she can’t believe what’s happened, she keeps moaning her baby’s name, and the Magister sentences her. Prison, of course, ten years I think, but it was the Remaking that I remember.
“Her baby’s arms are going to be grafted to her face. ‘So she doesn’t forget what she did,’ he says.” Derkhan’s voice curdled as she mimicked the Magister.
They walked in silence for a while, dutifully munching candyfloss.
“I’m an art critic, Isaac,” Derkhan said eventually. “Remaking’s art, you know. Sick art. The imagination it takes! I’ve seen Remade crawling under the weight of huge spiral iron shells they retreat into at night. Snail-women. I’ve seen them with big squid tentacles where their arms were, standing in river mud, plunging their suckers underwater to pull out fish. And as for the ones made for the gladiatorial shows . . . ! Not that they admit that’s what they’re for . . .
“Remaking’s creativity gone bad. Gone rotten. Gone rancid. I remember you once asked me if it was hard to balance writing about art and writing for RR.” She turned to look at him as they paced through the fair. “It’s the same thing, Isaac. Art’s something you choose to make . . . it’s a bringing together of . . . of everything around you into something that makes you more human, more khepri, whatever. More of a person. Even with Remaking a germ of that survives. That’s why the same people who despise the Remade are in awe of Jack Half-a-Prayer, whether or not he exists.
“I don’t want to live in a city where Remaking is the highest art.”
Isaac felt in his pocket for Runagate Rampant. It was dangerous even to hold a copy. He patted it, mentally thumbing his nose to the north-east, at Parliament, at Mayor Bentham Rudgutter and the parties squabbling over how to slice up the cake amongst themselves. The Fat Sun and Three Quills parties; Diverse Tendency, whom Lin called “comprador scum”; the liars and seducers of the Finally We Can See party; the whole pompous bickering brood like all-powerful six-year-olds in a sandpit.
At the end of the path paved with bon-bon wrappers, posters, tickets and crushed food, discarded dolls and burst balloons, stood Lin, lounging by the entrance to the fair. Isaac smiled with unfeigned pleasure at seeing her. As they neared her she stood straighter and waved at them. She sauntered in their direction.
Isaac saw that she had a toffee-apple gripped in her mandibles. Her inner jaw chewed with gusto.