Throughout the tedious warmth of the day, Isaac and Derkhan sheltered in the little hut.

When they had arrived, they saw that the construct was no longer waiting where they had left it. There was no sign of where it might be.

Lemuel left to see if he could link up with his comrades. He was nervous of venturing out while he was at war with the militia, but he did not like being isolated. In addition, Isaac thought, Lemuel did not like being around Derkhan and Isaac’s shared misery.

Yagharek, to Isaac’s surprise, left as well.

Derkhan reminisced. She chastised herself constantly for being maudlin, for making the feeling worse, but she could not stop. Derkhan told Isaac about her late-night conversations with Lin, the arguments about the nature of art.

Isaac was quieter. He toyed mindlessly with the pieces of his crisis engine. He did not stop Derkhan talking, but only occasionally did he interject with a remembrance of his own. His eyes were unfixed. He sat back dully against the crumbling wooden wall.

Before Lin, Isaac’s lover had been Bellis; human, like all his previous bedfellows. Bellis was tall and pale. She painted her lips bruise-purple. She was a brilliant linguist, who had become bored with what she had called Isaac’s “rumbustiousness,” and had broken his heart.

Between Bellis and Lin had been four years of whores and brief adventures. Isaac had curtailed all of that a year before meeting Lin. He had been at Mama Sudd’s one night, and had endured a shattering conversation with the young prostitute hired to service him. He had made a chance remark in praise of the amiable, matronly madame—who treated her girls well—and had been perturbed when his opinion had not been shared. Eventually the tired prostitute had snapped at him, forgetting herself, telling him what she really thought of the woman who hired out her orifices and let her keep three stivers in every shekel she made.

Shocked and ashamed, Isaac had left without even removing his shoes. He had paid double.

After that he had been chaste for a long time, had immersed himself in work. Eventually a friend had asked him to the opening show of a young khepri gland-artist. In a small gallery, a cavernous room on the wrong side of Sobek Croix, overlooking the weather-beaten sculpted knolls and copses at the edge of the park, Isaac had met Lin.

He had found her sculpture captivating, and had sought her out to say so. They had endured a slow, slow conversation—she scribbling her responses on the pad she always carried—but the frustrating pace did not undermine a sudden shared intimation of excitement. They drifted from the rest of the little party, examined each piece in turn, their twisted forms and tortured geometry.