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Chapters (45)
  1. Contents
  2. Dedication
  3. Author's Note
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Epilogue
  43. Acknowledgments
  44. About the Author
  45. Also By Allie Samberts

“Don’t act so surprised,” she responds quickly. One of the things I love about Dianne is that she’s not all gentle and kind with me. She’ll put me in my place when I need it. And I often need it.

“It feels like it should feel like a mistake,” I say eventually. It’s the only way I can describe what’s going through my head. “Working with Ryan is the right thing for this book. I feel it in my bones. But my brain disagrees. It’s still connecting him with everything that happened outside of the last book.”

“He is connected to more than work for you,” Dianne says gently. I don’t miss how she says “work” and not “books.” This has always been her subtle reminder to me that writing is a job, and it doesn’t have to infiltrate my entire life. Clearly, she’s not a writer. “Have you had a chance to talk to him personally? Have you opened up about your—”

“No,” I interrupt her before she can go any further. “There wasn’t time. We negotiated, set up a few initial deadlines, and they were off to another meeting.” I don’t mention that I flew out of there before Ryan could even say goodbye. “Besides, this is about the book. Not me. It’s not personal this time.”

Dianne tilts her head to the side. “Isn’t it?”

“What do you mean?”

“Art is intensely personal. Your art, especially. Are you really going to tell me that you have grown a sudden ability to completely divorce the past from the present? The personal from the art? Because if so, that’s wonderful news.” She doesn’t sound like she believes me.

I truly consider her question for a moment. She’s gotten to the heart of what has been bothering me about this for the past two days. Can I separate and compartmentalize enough to make this book into the best version of itself? In the end, that’s what really matters.

“I don’t think it’s about completely divorcing myself from anything,” I finally say. “It’s about moving on. Accepting what happened and coming to a place where I can work again. Working with him…I don’t know. It feels like it might be healing in a way.” I’m tempted to tip my voice upward at the end like a question, but I force myself not to. It’s not a question. This is going to be good, for the book and for me.

It has to be.

Dianne’s answering smile is wide and genuine. “Oh, Scarlett. I’m so proud of how far you’ve come. I hope you’re proud of it, too.”

“I am.” I smile back.