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Chapters (41)
  1. Cover
  2. Advance Praise for Normal Distance
  3. Title Page
  4. Prelude
  5. About Suffering
  6. The Idea of Beginning
  7. When It’s Hot It Snows
  8. New Theories on Boredom
  9. Wild Animals (Normal Distance)
  10. The Vagueness of the Moment
  11. I’m Not Mourning (There Is Voids)
  12. That to Philosophize Is to Learn to Die
  13. Madness
  14. You Don’t Get to Decide How to Feel About Not Having Free Will
  15. The Quality of Nothing (After This Nothing Happened)
  16. Dramedy
  17. I Don’t Want to Hear Any Good News or Bad News
  18. Historians of the Future
  19. Yes & No
  20. That It Is Folly to Measure Truth & Error by Our Own Capacity
  21. Oral History
  22. Genealogy (Such Deep Creases)
  23. Mirror, Mirror
  24. Malice & the Unknown
  25. Bright & Distant Objects
  26. Random Assignment
  27. Stop Thinking & End Your Problems
  28. We Taste Nothing Pure
  29. In Nature
  30. The Beginning of Understanding Is the Wish to Die
  31. Jealousy Is the Gin
  32. Desiderata
  33. Detail
  34. Awake & Alone
  35. The Idea of a Meadow
  36. Don’t Think
  37. Certain Conditions
  38. Moon News
  39. Notes
  40. Acknowledgments
  41. About the Author

Here’s my favorite thing about the moon: A moonwalker said when he’s looking at the sky, he sometimes suddenly remembers: That’s my moon, the same moon I walked on. (To each their own moon.)

We realize the same things over and over, new every time.

We are born not remembering why we walked into the room.

Notes

The title and last line of “About Suffering” are indebted to Auden’s “Musée des Beaux Arts.” The phrase “we become lyrical when we suffer” is from a James Longenbach essay (but I didn’t remember the source at the time of writing). The line about Turgenev is taken from his biographical note in the Penguin Classics editions of his novels. The phrase “forty minutes of desolate shuffling” is borrowed from Paraic O’Donnell.

In “The Idea of Beginning,” the book in question is A Dictionary of Symbols by Juan Eduardo Cirlot, translated from the Spanish by Jack Sage and Valerie Miles.

In “I’m Not Mourning,” the italicized lines are from Bashō.

The title “That to Philosophize Is to Learn to Die” is from Montaigne. The line in quotes is from Wikipedia.

In “I Don’t Want to Hear Any Good News or Bad News,” the line about the Middle Ages is from The Pursuit of the Millennium by Norman Cohn.

In “Historians of the Future,” some of the quoted language comes from Jennifer M. Gidley’s The Future: A Very Short Introduction.

The title “That It Is Folly to Measure Truth & Error by Our Own Capacity” is from Montaigne. The line about a poem as a hologram is from Ted Hughes’s Paris Review interview.

In “Mirror, Mirror,” the phrase “mon semblable” is from “Au Lecteur” by Baudelaire.

“Bright & Distant Objects” is for Janaka Stucky.

“Stop Thinking & End Your Problems” is a line attributed to Lao Tzu.

The title “We Taste Nothing Pure” is from Montaigne.

The title “The Beginning of Understanding Is the Wish to Die” is from Kafka’s notebooks. I have lost the source of the “God is faithful” line.

In “Desiderata,” the line about general relativity is from The Hidden Reality by Brian Greene.

“Certain Conditions” is for Sommer Browning, Erin Costello, and Sarah Rose Etter.

In “Moon News,” the first line quotes from a Reddit post that links to an article on the NASA site.

Throughout, there is stray quoted material for which I have lost the original source. Mea culpa.

The fifteen-line poems were all written in the summer of 2020. They are for John Cotter and Michael Joseph Walsh.

Acknowledgments