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Chapters (41)
  1. Cover
  2. Advance Praise for Normal Distance
  3. Title Page
  4. Prelude
  5. About Suffering
  6. The Idea of Beginning
  7. When It’s Hot It Snows
  8. New Theories on Boredom
  9. Wild Animals (Normal Distance)
  10. The Vagueness of the Moment
  11. I’m Not Mourning (There Is Voids)
  12. That to Philosophize Is to Learn to Die
  13. Madness
  14. You Don’t Get to Decide How to Feel About Not Having Free Will
  15. The Quality of Nothing (After This Nothing Happened)
  16. Dramedy
  17. I Don’t Want to Hear Any Good News or Bad News
  18. Historians of the Future
  19. Yes & No
  20. That It Is Folly to Measure Truth & Error by Our Own Capacity
  21. Oral History
  22. Genealogy (Such Deep Creases)
  23. Mirror, Mirror
  24. Malice & the Unknown
  25. Bright & Distant Objects
  26. Random Assignment
  27. Stop Thinking & End Your Problems
  28. We Taste Nothing Pure
  29. In Nature
  30. The Beginning of Understanding Is the Wish to Die
  31. Jealousy Is the Gin
  32. Desiderata
  33. Detail
  34. Awake & Alone
  35. The Idea of a Meadow
  36. Don’t Think
  37. Certain Conditions
  38. Moon News
  39. Notes
  40. Acknowledgments
  41. About the Author

“A magnificent book of poems, unafraid to interrogate our maddening existence, vengefully honest, and pierced with a blazing conversation towards philosophy. Gabbert has a gift for exposing human longing, with poker-faced lyricism, for the fantasy it often is. Suffering pervades this book: our addiction to it, our denial of it, and the absolute inevitability of it. What Gabbert shows us is that suffering comes in many forms, and one of the most prevalent is boredom: ‘The secret to immortality is boredom. If you’re bored enough you’ll never die,’ she writes. Always there is a solidarity in the poems. We are all together in this; we are the poet. And humor—which Freud knew held as much rich unconscious content as dreams—makes these elegant, genius poems anything but boring. ‘Can you not pay attention to your desires?,’ she asks. She replies with all her pitch-perfect characteristic sagacity: ‘I don’t care. I want to change my mind.’ Same.”

—Bianca Stone, author of What Is Otherwise Infinite

“Elisa Gabbert’s newest book of poems, Normal Distance, is a must-read. It is a work of full force and cannot be forgotten long after you close its pages. Its intricate language mazes and areas of language play create a landscape of full sensations, thoughts, and pure emotion. In the book, you enter places where the starkness of our time is met with the tenderness of what it means to be a human. Places where the ‘lindens’ both ‘bloom’ and ‘didn’t bloom,’ where ‘suffering was less absurd,’ places where the ‘inflection of a spell’ ‘turns off your power,’ where ‘everything is a monolith,’ places with ‘frightening’ ‘empty space,’ and where ‘youth is a kind of genius.’ These poems are places where anything can be anything and where what the poet feels intimately can still be everything. As Gabbert writes, ‘We are born not remembering why we walked into the room,’ and I believe her. This is a book that you will remember for a long time, after birth and death, and into the eternal space where poetry still lives.”

—Dorothea Lasky, author of Milk