Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
He gives me a brief summary of the video I just watched in Henry Sexton’s Explorer. The DA clearly interprets Viola’s dying words as evidence of my father’s guilt.
“That doesn’t sound like proof of anything. It sounds like the confused ranting of a person having a heart attack.”
“Penn, you might as well save it for—”
“Viola was a trained nurse,” I point out. “Why would my father inject her? If she died as the result of an injection of any drug, she almost certainly gave it to herself.”
“Save it for the courtroom. I don’t have any choice here.”
I realize I’m breathing hard. “There’s got to be more, Shad. Come on. Murder One?”
The DA shifts in his seat. “I’m not going to let you hold that photo over my head like a sword. Before this is over, you’ll want to use it, but you’d better think long and hard before you do.”
I hear steel in his voice. “Why is that?”
“Better the devil you know—that’s why. You bust me, there’s no telling who’ll wind up in this chair. The judge could appoint a special prosecutor. And depending on the judge, there’s no telling who you might get.”
This is a veiled reference to Arthel Minor, the judge who colluded with Shad in the past. “I hear you,” I tell him. “But there’s something missing from this equation. I haven’t heard anything that suggests a motive for murder.”
Shad waves this objection away with a flick of his hand. “Malice aforethought is enough to get the state to murder. And in this type of case, intent alone is sufficient to meet the standard for malice.”
“By ‘this type of case,’ you mean an assisted suicide situation?”
“I didn’t say that.”
Shad tries to look inscrutable, but I see something flickering behind his civil-servant-trapped-by-duty mask. As hard as he’s trying to conceal it, Shad cannot hide the fierce joy burning within him. Fate has handed him a chance to pay me back a hundredfold, and by God, he means to use it.
“Are you implying my father killed Viola Turner not to relieve her suffering, but for some other reason?”
The DA blinks once, slowly. “I haven’t said that.”
You just did. “Shad, what’s really going on here? What are you sitting on?”
Shadrach rubs his temples with both hands, like a man in real pain. “As far as your father having a motive to kill Viola Turner, I’ve got more than you want to hear. But you won’t hear it in here. Not today. There are some lines I can’t cross, no matter what you threaten me with.”