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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

I want to shout a warning, but Regan’s face tells me he’ll fire the flamethrower if I do. Yet waiting will guarantee casualties among our rescuers. No amount of body armor will protect a man from burning gasoline.

Brody tenses at the sound of further movement in the gun room, but there’s no fear in his face or posture. Still glaring at me, Regan aims the flamethrower at Caitlin to ensure my silence.

“Royal!” yells the voice from the gun room, now sounding strangely familiar. “We know you have Mayor Cage and Caitlin Masters down here! Send them out!”

I know that voice, but the speech seems impaired … yet even that sounds familiar. “Oh, no,” I say under my breath. Henry? Impossible—

“The FBI’s on their way!” yells the voice.

Hope dies within me. In Caitlin, too, I can tell. If John Kaiser were coming for us, Henry Sexton would still be back in his hospital bed.

Brody looks back at Regan with a smile, then gives him a thumbs-up. Ever the astute gambler, he’s already guessed the truth: a SWAT assault would have unfolded very differently from this. I’m almost ready to shout a warning regardless of the consequences, but Caitlin beats me to it.

“Stay back, Henry! It’s an ambush!”

Before her last word fades, someone kicks open the firing-range door.

No one comes through.

As we stare at the empty doorway, a black object skitters through it and slides across the floor. Royal and Regan throw up their arms, expecting a grenade, but it’s only a walkie-talkie.

A tinny version of Henry Sexton’s voice emerges from the black radio. “You’re surrounded, Royal. Send out your hostages.”

While Royal and Regan stare at the walkie-talkie, a black man darts through the door, a pistol held in front of him as he scans the room for targets.

Brody takes one step and lays his gun against the back of the man’s head. “Drop it,” he says. “Drop it now, or I pull the trigger.”

Left with no choice, the man drops his gun.

He’s obviously no SWAT operator. Dressed in work boots, jeans, and a dark jacket, he looks like a stranger to me. A sixty-five-year-old stranger. Then I see the gothic D on his black baseball cap, and a sadness unlike anything I’ve ever known suffuses me. Henry has done the one thing that could worsen our situation—and make our defeat more complete. He’s brought “Gates Brown” straight into the arms of Brody Royal.

As I turn toward Caitlin, Henry steps through the basement door in a raincoat, a shotgun held before him, its barrel aimed at Royal’s head. Henry’s head is bandaged, and a huge bloodstain soaks his shoulder and sleeve, but he looks ready and willing to pull the trigger.

“Wait!” Brody cries, total submission embodied in the word.