Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
I want to shout a warning, but Regan’s face tells me he’ll fire the flamethrower if I do. Yet waiting will guarantee casualties among our rescuers. No amount of body armor will protect a man from burning gasoline.
Brody tenses at the sound of further movement in the gun room, but there’s no fear in his face or posture. Still glaring at me, Regan aims the flamethrower at Caitlin to ensure my silence.
“Royal!” yells the voice from the gun room, now sounding strangely familiar. “We know you have Mayor Cage and Caitlin Masters down here! Send them out!”
I know that voice, but the speech seems impaired … yet even that sounds familiar. “Oh, no,” I say under my breath. Henry? Impossible—
“The FBI’s on their way!” yells the voice.
Hope dies within me. In Caitlin, too, I can tell. If John Kaiser were coming for us, Henry Sexton would still be back in his hospital bed.
Brody looks back at Regan with a smile, then gives him a thumbs-up. Ever the astute gambler, he’s already guessed the truth: a SWAT assault would have unfolded very differently from this. I’m almost ready to shout a warning regardless of the consequences, but Caitlin beats me to it.
“Stay back, Henry! It’s an ambush!”
Before her last word fades, someone kicks open the firing-range door.
No one comes through.
As we stare at the empty doorway, a black object skitters through it and slides across the floor. Royal and Regan throw up their arms, expecting a grenade, but it’s only a walkie-talkie.
A tinny version of Henry Sexton’s voice emerges from the black radio. “You’re surrounded, Royal. Send out your hostages.”
While Royal and Regan stare at the walkie-talkie, a black man darts through the door, a pistol held in front of him as he scans the room for targets.
Brody takes one step and lays his gun against the back of the man’s head. “Drop it,” he says. “Drop it now, or I pull the trigger.”
Left with no choice, the man drops his gun.
He’s obviously no SWAT operator. Dressed in work boots, jeans, and a dark jacket, he looks like a stranger to me. A sixty-five-year-old stranger. Then I see the gothic D on his black baseball cap, and a sadness unlike anything I’ve ever known suffuses me. Henry has done the one thing that could worsen our situation—and make our defeat more complete. He’s brought “Gates Brown” straight into the arms of Brody Royal.
As I turn toward Caitlin, Henry steps through the basement door in a raincoat, a shotgun held before him, its barrel aimed at Royal’s head. Henry’s head is bandaged, and a huge bloodstain soaks his shoulder and sleeve, but he looks ready and willing to pull the trigger.
“Wait!” Brody cries, total submission embodied in the word.