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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

A few steps more, then Brody pauses before a cabinet at the end of the row, one wider than the rest. Despite its size, this case holds only two weapons: civilian hunting rifles, by the look of them. Below the rifles sits a large empty shelf with a plaque that reads: FLAMMENWERFER 41. ST. VITH. DECEMBER 1944.

“Do you know what you’re looking at?” Brody asks, his voice oddly hushed.

Leaning forward to read the plaques beneath the rifles, I freeze, barely breathing. The first reads, November 22, 1963. The second: April 4, 1968. Juxtaposed in this setting, those two dates blow what coherence I’ve regained to smithereens. Yet out of the resulting chaos bounces Henry’s tale of Snake Knox claiming to have killed Martin Luther King, and my father’s story of being trapped on the fishing boat with Brody Royal and the drunk CIA man who kept cursing about the botched job in Dallas. Caitlin’s gaze presses on my right cheek, silently asking if these weapons could be authentic. Unwilling to give Brody the satisfaction of seeing my distress, I straighten and turn to him as I would to a fool who’d paid top dollar for lead bricks painted gold.

“How much did you give the Knoxes for these fakes?” I ask. “Not much, I hope.”

The steady certainty in Royal’s eyes rattles me, and he knows it. In his mind, at least, these rifles are the genuine article.

As Caitlin straightens up, I try to catch her eyes, but she’s whipped her head toward the staircase by which we entered. Two strangers have entered the room. They’re better dressed than our van crew, and walk with distinctly military bearing. Each carries what looks to be a heavy banker’s box. The sight hardly affects me, but Caitlin looks as though someone just gut-punched her. Behind us, Brody Royal chuckles softly.

“You obviously recognize those boxes. Take those into the firing range, Chalmers. Then deal with the mayor’s car and our Natchez PD officer as quickly as possible.”

Both men walk quickly to the door on the far right, then disappear through it. “What’s in the boxes?” I ask.

“Henry Sexton’s backup files and notebooks.” Brody smiles with triumph. “Another excellent return on my investment at the Examiner. Now, no matter what the paper might print, no one will be able to substantiate the stories. And the FBI will never see them.”

Behind me, Regan says, “The Examiner’s scanned copies of those files are being systematically erased as we speak.”

Caitlin’s face now has the blankness of a condemned prisoner. She looks like she could scarcely string two thoughts together; I can hardly credit that she made the crack about Royal’s bootlegging past only seconds ago.