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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

Glancing up at the wire screen, I scoot carefully across the metal floor, trying to bring our bodies into contact. As I do, something jabs my behind. I try to raise my butt over it, but the hard object keeps jabbing me. Lowering myself again, I rock softly from side to side, trying to tell what’s beneath me. When I finally understand, my heart begins to pound.

“What is it?” Caitlin hisses. “What’s the matter?”

“Pithy’s straight razor is in my back pocket. They missed it when they patted me down. It’s lying along the bottom seam of my jeans.”

Her eyes widen. “Can you get it out?”

“Not with my hands taped in front. But you can.”

She nods quickly.

As quietly as possible, I flex my body until I’ve turned my back to her. Twenty seconds later, I feel her fingers fishing in my pocket. Almost before I’m aware of it, the razor is gone.

Her lips touch the shell of my ear. “I think I should try to cut the tape on your wrists. You’ve got the best chance of fighting them. You can free mine after you cut your feet loose.”

“Get some while you can, bro!” shouts one of the men up front, laughing wildly. “We’re almost there!”

Tilting back my head, I see a dark oval staring down through the mesh screen. It’s Crew Cut. “If you get turned right,” he says, “maybe she can unzip you. I’d give it a go, man, considering the circumstances.”

“Why don’t you blow your partner while he drives?” Caitlin snaps. “We could use some privacy.”

I guess she figured sarcasm might make him lose interest, but instead of facing forward again, Crew Cut starts telling her what she can expect when we get where we’re going. The gist is that a quick bullet would be infinitely better than what awaits us, but we won’t be lucky enough to get one.

“You’re pretty damn hot, girl,” says the shadow face. “But you’re about to get a whole lot hotter, where you’re going.”

As he sniggers, the invisible driver busts out laughing. Crew Cut is still talking when his partner hits the brakes, makes a right turn, then cruises slowly for a couple of hundred yards. “Showtime, boys and girls,” he says, cackling softly through the mesh.

When the engine dies, I press my forehead against Caitlin’s. “Listen to me. That razor—”

“Turn over!” she hisses. “Hurry! Let me cut your hands loose!”

“There’s no time. Listen, Caitlin, that razor is useless against guns.”

“What?” Her eyes are frantic. “You want me to leave it here?”

“No. Hide it if you can.”

The sound of slamming doors reverberates through a closed space.

“Hide it for what? When do I use it?”