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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

“If things are really that dangerous, what are we doing standing out here? A sniper could shoot us from across the highway, couldn’t he?”

“Not at this moment. I’ve had a sniper on the hospital roof sweeping that field with a thermal imaging scope for the past four minutes.”

This silences us all.

“The Double Eagles probably don’t know you have those files yet,” Kaiser goes on. “But they will. Henry’s girlfriend was no fan of yours. She’s bound to have talked to somebody.”

“You think you’re going to scare me into cooperating with you?” Caitlin challenges.

“No. But I don’t understand your reluctance. Are you hoping to solve these murders yourself? Henry tried that, and look at the result.”

“At least he didn’t sit on his ass for forty years, like the FBI.”

I step between them, silently warning the Bureau man to back off.

“Look,” says Kaiser, trying to stay calm, “we all have different pieces of this puzzle, and we all want the same result. Don’t we?”

“Do we?” asks Caitlin.

“You can’t blame her, John,” I interject. “The Bureau has got a pretty bad record in the sharing department. Henry wasn’t the Bureau’s biggest fan, either.”

“I’m not the Bureau,” he says angrily. “Not on this case. I’m Dwight Stone. Dwight and every other agent who bucked Hoover and the system to try to do the right thing, all the way back to 1963, when Medgar Evers was shot. This won’t be a one-way flow of information. I’m not keeping things from you guys.”

He turns on his heel, walks to the Suburban, and knocks on the driver’s window. The glass slides down and someone hands him a bag. When he returns, he takes his flashlight from his pocket, unzips the bag, and removes a large clear Ziploc containing a badly rusted hunk of metal with a strangely familiar shape. That shape hurls me back to every World War II movie I’ve ever seen.

“That looks like a Luger,” I comment.

“Doesn’t it?” says Kaiser. “This was rusted to the inner wall of Luther Davis’s trunk. The agent who found it said he thought about The Rat Patrol the second he saw it.”

“Is it a Luger?”

“No.” Kaiser opens the Ziploc and takes out the heavily oxidized but still graceful weapon and examines it from several angles in the beam of the flashlight.

“What is it?” asks Caitlin.

“A Nambu.”

“A what?”

“N-A-M-B-U. It’s a Japanese pistol widely used by their officers during both world wars. It was designed by General Kijiro Nambu, the Japanese John Browning. Takes an eight-millimeter cartridge. It looks like a Luger, but the works are completely different. Quite a few Pacific vets brought them home as trophies.”

“Like Frank Knox?” I guess.