Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

“If she would verify it. She’s clearly been terrified of her father for years. Her husband, too. If she doesn’t wake up from the coma, could this stand as a dying utterance?”

Caitlin’s ambition is like a third person in the car.

“I doubt it. But if you could get it admitted, the circumstances might lend weight to her statements. Except …”

“What?”

“She said her father killed Henry. Didn’t she?”

“Yeah. ‘Mr. Henry,’ she said. Like a little girl.”

“Henry Sexton’s not dead.”

Caitlin shrugs as though this is inconsequential. “I’m sure she meant that Brody ordered the hit on Henry. They did try to kill him, right?”

“Yes, but that’s a big problem, as far as using this recording as trial evidence. It calls everything else she said into question. God, I wish she’d spoken Viola’s name.”

Caitlin turns and stares out at the darkened courthouse. “Are you saying I shouldn’t use it?”

“No. But what are you thinking of doing with it?”

“If this were any other case … I’d go straight over to St. Catherine’s Hospital and interview Brody Royal right now—if he’s even there. That’s what Henry would do, if he could.”

I strive to keep my voice level. “But this isn’t any other case. And given Royal’s past, and what you just did to his daughter—and her husband—that could be suicidal.”

Caitlin whirls on me. “I’m sorry the woman tried to kill herself, okay? But she’s been mentally unstable for years. And I see no reason not to use this recording as the linchpin of tomorrow’s stories.”

I draw back in surprise. “You want to publish the contents of this recording? Tomorrow?”

“Maybe,” she says defiantly.

As I try to think of a way to prevent this, a revolutionary idea comes to me. “You know something? From an evidentiary point of view, that recording has serious problems. But as an existential reality … it’s one hell of a weapon.”

She looks suspicious. “What exactly do you mean?”

“I know you’re focused on tomorrow’s story. But tomorrow is a world away right now. At this moment, Dad and Walt are being hunted as cop killers. Their lives are measured in hours, maybe minutes. The only way to save them is to get that APB revoked. And the only way I can see to do that is to go to the very men who want Dad dead and blamed for Viola’s murder.”

Caitlin’s eyes narrow still further. “Brody? And …?”

“Forrest Knox. Knox issued the APB. They’re the only ones with the stroke to change the public narrative and stop that manhunt.”

“Bullshit! I can change the public narrative. With this recording, and with Henry’s files.”

“Not fast enough to save Dad.”