Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
“If she would verify it. She’s clearly been terrified of her father for years. Her husband, too. If she doesn’t wake up from the coma, could this stand as a dying utterance?”
Caitlin’s ambition is like a third person in the car.
“I doubt it. But if you could get it admitted, the circumstances might lend weight to her statements. Except …”
“What?”
“She said her father killed Henry. Didn’t she?”
“Yeah. ‘Mr. Henry,’ she said. Like a little girl.”
“Henry Sexton’s not dead.”
Caitlin shrugs as though this is inconsequential. “I’m sure she meant that Brody ordered the hit on Henry. They did try to kill him, right?”
“Yes, but that’s a big problem, as far as using this recording as trial evidence. It calls everything else she said into question. God, I wish she’d spoken Viola’s name.”
Caitlin turns and stares out at the darkened courthouse. “Are you saying I shouldn’t use it?”
“No. But what are you thinking of doing with it?”
“If this were any other case … I’d go straight over to St. Catherine’s Hospital and interview Brody Royal right now—if he’s even there. That’s what Henry would do, if he could.”
I strive to keep my voice level. “But this isn’t any other case. And given Royal’s past, and what you just did to his daughter—and her husband—that could be suicidal.”
Caitlin whirls on me. “I’m sorry the woman tried to kill herself, okay? But she’s been mentally unstable for years. And I see no reason not to use this recording as the linchpin of tomorrow’s stories.”
I draw back in surprise. “You want to publish the contents of this recording? Tomorrow?”
“Maybe,” she says defiantly.
As I try to think of a way to prevent this, a revolutionary idea comes to me. “You know something? From an evidentiary point of view, that recording has serious problems. But as an existential reality … it’s one hell of a weapon.”
She looks suspicious. “What exactly do you mean?”
“I know you’re focused on tomorrow’s story. But tomorrow is a world away right now. At this moment, Dad and Walt are being hunted as cop killers. Their lives are measured in hours, maybe minutes. The only way to save them is to get that APB revoked. And the only way I can see to do that is to go to the very men who want Dad dead and blamed for Viola’s murder.”
Caitlin’s eyes narrow still further. “Brody? And …?”
“Forrest Knox. Knox issued the APB. They’re the only ones with the stroke to change the public narrative and stop that manhunt.”
“Bullshit! I can change the public narrative. With this recording, and with Henry’s files.”
“Not fast enough to save Dad.”