Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

“Please call me Katy, dear.”

“Katy,” Caitlin said thankfully. “Both Henry and I believe—we fervently hope—that you can shed some light on one particularly heinous crime.”

Mrs. Regan blinked like a young ingénue auditioning for a lead role. “What crime is that?”

“The murder of a boy named Justus Wilson. His friends called him ‘Pooky.’”

Katy Royal kept looking back at Caitlin as though she hadn’t spoken a word. Then, after an interminable silence, she blinked once, like a patient bird. “Who, dear?”

Caitlin leaned forward and gave Katy the full intensity of her gaze. She knew that her bright green eyes sometimes unnerved people, and she hoped they would have that effect now. “Pooky—Wilson,” she enunciated. “He was a young black man who worked for Albert Norris, the music store owner, back in 1964. He disappeared on July nineteenth, the day after his boss was murdered. He was never seen again.”

If anything, Katy’s eyes had grown glassier still.

Purely on instinct, Caitlin took the photo of Pooky and his band from her purse, then crossed to Katy’s chair and held the picture before her.

“That’s Pooky on the right,” she said, “playing the bass guitar. He was murdered in 1964, and I finally know why.”

“Why?” Katy asked, her eyes glued to the photograph, her voice as distant as the echo in a canyon.

“Because he loved a white girl. A beautiful eighteen-year-old girl.”

“No.”

“Yes,” Caitlin said softly. “A girl named Katy.”

“No.” Mrs. Regan shook her head. “He didn’t love her.”

This was the last thing Caitlin had expected to hear. “He didn’t?”

The stretched-taut face began to twist with emotion. “No, no, no. He just wanted to touch her. Use her. Do dirty things to her.”

Caitlin couldn’t quite read what lay behind the troubled face, but the voice sounded angry. “Who are you talking about, Katy?”

Mrs. Regan shook her head like someone trying to wake herself from a trance. Then she looked at Caitlin with unsettling directness. “You’re taping this, aren’t you?”

Caitlin swallowed. “No.”

“Liar, liar, pants on fire,” Katy chanted in a childlike voice. “I’m not blind, you know.”

Caitlin felt as though she’d awakened in a 1950s horror movie.

“If you want me to keep talking,” Katy said, “turn off your tape machine.”

Caitlin thought about it for a few seconds. Then she went back to her chair and replaced the photograph in her purse. Lifting the Sony so that Katy could see its red light, she switched off the recorder.

The woman smiled with childish satisfaction. “Now. Where were we?”

“Pooky Wilson.” Caitlin dropped the recorder back into her purse. “I was confused, because you were speaking in the third person. You said, ‘He didn’t love her. He just wanted to do dirty things to her.’ But I assume you were talking about yourself.”

“Yourself, myself, himself … no-self. What’s the difference?”