Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
“Why wouldn’t Viola tell that boy Tom was his father? Beats the hell out of telling him he was fathered by some booger-eating Ku Klux Klansman.”
“You’re deflecting, Quentin. I’m asking you what’s true. Has Dad ever told you he had an illegitimate son?”
“That’s privileged information, as you well know. But I’ll tell you anyway. Hell, no.”
“Lincoln offered to take a DNA test.”
“Well, it may come to that. But that’s not the primary issue right now.”
“What is?”
“I would have said the trial, until I heard about the dead state trooper and the APB.”
At this, I fall silent. Quentin doesn’t sound like a lawyer hiding his client from the police, but he’s a subtle character. “And …?”
“I wish Tom had come to me rather than go running off with Walt Garrity. But I don’t control the man.”
If Dad and Walt are hiding out at Quentin’s isolated compound, then Quentin is a consummate actor. He is, says a voice in my mind. There’s no one better.
“How about we get back to Lincoln for a minute?” I quickly summarize my deductions since leaving the CC’s Rhythm Club, culminating with my theory that Dad is protecting Lincoln, who probably killed his mother. Quentin listens in surprising silence. “Well, what do you think?” I ask.
“That all makes sense, I’m sorry to say. Covering for Lincoln sounds exactly like Tom. Sacrificing himself out of guilt, I mean. He’d probably do that on Viola’s word alone, without even checking to make sure the boy was his.”
“But he hasn’t said anything to you along these lines?”
“No. But I can imagine what you’re thinking now. You figure that if you can prove Lincoln killed Viola, your father’s home free.”
“If I can get him into protective custody before some gung ho cop shoots him.”
“You’re wrong, Penn. Think about it. So long as Tom is willing to get up on a witness stand and say that he killed Viola, you’ve got no play. If your father wants to go to jail for someone, he’s going to jail.”
This stark truth silences me like news of a death. After several stunned seconds, I say, “He’ll be lucky to make jail, Quentin.”
“Well … if Walt Garrity’s with him, he just might be okay. And don’t assume you’re right about Lincoln. Those damned Double Eagles may well have killed Viola. Don’t give up on that angle yet.”
“If they did, how do you explain Dad’s behavior?”
“I can’t. But your father’s no fool. Keep using that brain of yours, and maybe you’ll get to the bottom of this. I’ve got to go. Doris has got to give me my medicine.”
As the old lawyer hangs up, I hear him say, “What the hell is Tom thinking?”