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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

“Why wouldn’t Viola tell that boy Tom was his father? Beats the hell out of telling him he was fathered by some booger-eating Ku Klux Klansman.”

“You’re deflecting, Quentin. I’m asking you what’s true. Has Dad ever told you he had an illegitimate son?”

“That’s privileged information, as you well know. But I’ll tell you anyway. Hell, no.”

“Lincoln offered to take a DNA test.”

“Well, it may come to that. But that’s not the primary issue right now.”

“What is?”

“I would have said the trial, until I heard about the dead state trooper and the APB.”

At this, I fall silent. Quentin doesn’t sound like a lawyer hiding his client from the police, but he’s a subtle character. “And …?”

“I wish Tom had come to me rather than go running off with Walt Garrity. But I don’t control the man.”

If Dad and Walt are hiding out at Quentin’s isolated compound, then Quentin is a consummate actor. He is, says a voice in my mind. There’s no one better.

“How about we get back to Lincoln for a minute?” I quickly summarize my deductions since leaving the CC’s Rhythm Club, culminating with my theory that Dad is protecting Lincoln, who probably killed his mother. Quentin listens in surprising silence. “Well, what do you think?” I ask.

“That all makes sense, I’m sorry to say. Covering for Lincoln sounds exactly like Tom. Sacrificing himself out of guilt, I mean. He’d probably do that on Viola’s word alone, without even checking to make sure the boy was his.”

“But he hasn’t said anything to you along these lines?”

“No. But I can imagine what you’re thinking now. You figure that if you can prove Lincoln killed Viola, your father’s home free.”

“If I can get him into protective custody before some gung ho cop shoots him.”

“You’re wrong, Penn. Think about it. So long as Tom is willing to get up on a witness stand and say that he killed Viola, you’ve got no play. If your father wants to go to jail for someone, he’s going to jail.”

This stark truth silences me like news of a death. After several stunned seconds, I say, “He’ll be lucky to make jail, Quentin.”

“Well … if Walt Garrity’s with him, he just might be okay. And don’t assume you’re right about Lincoln. Those damned Double Eagles may well have killed Viola. Don’t give up on that angle yet.”

“If they did, how do you explain Dad’s behavior?”

“I can’t. But your father’s no fool. Keep using that brain of yours, and maybe you’ll get to the bottom of this. I’ve got to go. Doris has got to give me my medicine.”

As the old lawyer hangs up, I hear him say, “What the hell is Tom thinking?”