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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

Lincoln doesn’t turn at first, and when he does, he turns slowly, as though already certain of what he’ll see.

“Take a seat, Mayor,” he says, not smiling. “I can’t say I was expecting you.”

As I slide into the chair opposite him, he says, “How’d you find me? Put your local Gestapo on the case?”

I don’t answer, and it’s several seconds before I realize why. I’m searching his broad face for similarities to my father’s—or my own. I see no obvious resemblance, but it’s strange to search for your own features in a face of a different color. Lincoln is an imposing man, if not conventionally handsome. He has an oval face, as I do, but not the prominent jaw that my father and I share. His eyes are brown, like mine, but almost disturbingly dark. I don’t recognize his nose or cheekbones, and his hair is as nappy as that of any black man I ever knew. Only Lincoln’s high forehead strikes a resonant note and, if I’m honest, reminds me of my father. The lack of overall similarity comforts me, and yet … something bothers me that I can’t put my finger on.

“I’m surprised you had the nerve to walk in here,” he says. “White boy like you in a black jook? Out on the edge of nowhere? Most white boys would be nervous as a whore in church.”

“I’d be a lot more nervous in a shitkicking honky-tonk. People come here for the food and the music.”

Turner chuckles. “You’re right. When rednecks drink, they want to fuck or fight, and not necessarily in that order.”

I want to ask him what he was doing outside my house earlier this afternoon, but that might force our conversation to an abrupt conclusion. Better to learn what I can before confronting him. “I didn’t even know this place existed.”

He looks around as though appraising the value of the place. “When I was a boy in Chicago, there were jooks like this on the South Side. No name, usually, just an address. Mississippi folks who moved up there re-created what they’d known back home. My stepfather did a lot of his business in corner jook joints. He’d sit there eating pork sausage and cat-head biscuits, running half a dozen scams from the pay phone while he ate. I guess I got to like it. The funk of it, you know?”

My stepfather. I try to recall what Dad told me about the man Viola married in Chicago. The phrase “charming rogue” comes back to me.

“I know why you’re here,” Lincoln says, his dark eyes suddenly serious. “I see you studyin’ my face.”

“Why don’t you enlighten me?”

“No. I’ll let you tell your lie before I tell the truth. Why do you think you’re here?”