Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
Lincoln doesn’t turn at first, and when he does, he turns slowly, as though already certain of what he’ll see.
“Take a seat, Mayor,” he says, not smiling. “I can’t say I was expecting you.”
As I slide into the chair opposite him, he says, “How’d you find me? Put your local Gestapo on the case?”
I don’t answer, and it’s several seconds before I realize why. I’m searching his broad face for similarities to my father’s—or my own. I see no obvious resemblance, but it’s strange to search for your own features in a face of a different color. Lincoln is an imposing man, if not conventionally handsome. He has an oval face, as I do, but not the prominent jaw that my father and I share. His eyes are brown, like mine, but almost disturbingly dark. I don’t recognize his nose or cheekbones, and his hair is as nappy as that of any black man I ever knew. Only Lincoln’s high forehead strikes a resonant note and, if I’m honest, reminds me of my father. The lack of overall similarity comforts me, and yet … something bothers me that I can’t put my finger on.
“I’m surprised you had the nerve to walk in here,” he says. “White boy like you in a black jook? Out on the edge of nowhere? Most white boys would be nervous as a whore in church.”
“I’d be a lot more nervous in a shitkicking honky-tonk. People come here for the food and the music.”
Turner chuckles. “You’re right. When rednecks drink, they want to fuck or fight, and not necessarily in that order.”
I want to ask him what he was doing outside my house earlier this afternoon, but that might force our conversation to an abrupt conclusion. Better to learn what I can before confronting him. “I didn’t even know this place existed.”
He looks around as though appraising the value of the place. “When I was a boy in Chicago, there were jooks like this on the South Side. No name, usually, just an address. Mississippi folks who moved up there re-created what they’d known back home. My stepfather did a lot of his business in corner jook joints. He’d sit there eating pork sausage and cat-head biscuits, running half a dozen scams from the pay phone while he ate. I guess I got to like it. The funk of it, you know?”
My stepfather. I try to recall what Dad told me about the man Viola married in Chicago. The phrase “charming rogue” comes back to me.
“I know why you’re here,” Lincoln says, his dark eyes suddenly serious. “I see you studyin’ my face.”
“Why don’t you enlighten me?”
“No. I’ll let you tell your lie before I tell the truth. Why do you think you’re here?”