Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
I only asked this out of courtesy. There’s no way Caitlin will sit in this room after what just transpired—not until she’s had time to vent her frustration.
“Too much to do,” she says. “I’ll text you later.”
I’d normally give her a hug, but tonight she would be stiff to my touch. Thankfully, Annie sails in with a bowl of Blue Bell vanilla in each hand. Before she can speak, Caitlin kisses the top of her head, then heads for the front door.
“Bye!” Annie shouts, looking perplexed.
“Bye,” comes Caitlin’s halfhearted echo.
“What happened?” Annie asks me, staring worriedly after her future stepmother.
“The attack on Mr. Henry has upset everybody.”
My daughter shakes her head slowly, then turns anxious eyes on me. “Don’t you and Caitlin want the same thing? Aren’t you on the same side?”
I reach out and squeeze her forearm. “Yes. Sometimes it gets complicated, Boo, that’s all. But down deep, we are.”
Annie thinks about this for several seconds. I expect her to say, “I know ya’ll are,” or something like that. But when my daughter’s eyes find mine again, she says, “I hope so.”
TEN MINUTES AFTER WE finished our ice cream, I sent Annie to her room to work on her paper before bed. My conscious intention was to study Viola’s autopsy report, but not long after I picked up the photocopied pages, my mind was consumed by resentment that my father decided to confide his secrets—whatever they might be—to Quentin Avery. Why has Dad chosen to leave me in the dark? Is he that ashamed of having an affair with an employee? Is he afraid of something else? Or is he simply trying to protect our family? At this point, that’s about the only scenario I’d be willing to forgive. With Viola and Morehouse dead—and Henry Sexton close to death—there’s clearly information in play that people are willing to kill to suppress. The question is, does my father also possess it?
As I reflect on this possibility, the obvious implication of my earlier deduction hits me like a stitch in the side. If Dad is lying about his relationship with Viola … then everything Lincoln Turner contends could be true. And Shad Johnson could be prosecuting Dad in the legitimate belief that he killed Viola to silence her about Lincoln’s paternity.