Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

I only asked this out of courtesy. There’s no way Caitlin will sit in this room after what just transpired—not until she’s had time to vent her frustration.

“Too much to do,” she says. “I’ll text you later.”

I’d normally give her a hug, but tonight she would be stiff to my touch. Thankfully, Annie sails in with a bowl of Blue Bell vanilla in each hand. Before she can speak, Caitlin kisses the top of her head, then heads for the front door.

“Bye!” Annie shouts, looking perplexed.

“Bye,” comes Caitlin’s halfhearted echo.

“What happened?” Annie asks me, staring worriedly after her future stepmother.

“The attack on Mr. Henry has upset everybody.”

My daughter shakes her head slowly, then turns anxious eyes on me. “Don’t you and Caitlin want the same thing? Aren’t you on the same side?”

I reach out and squeeze her forearm. “Yes. Sometimes it gets complicated, Boo, that’s all. But down deep, we are.”

Annie thinks about this for several seconds. I expect her to say, “I know ya’ll are,” or something like that. But when my daughter’s eyes find mine again, she says, “I hope so.”

TEN MINUTES AFTER WE finished our ice cream, I sent Annie to her room to work on her paper before bed. My conscious intention was to study Viola’s autopsy report, but not long after I picked up the photocopied pages, my mind was consumed by resentment that my father decided to confide his secrets—whatever they might be—to Quentin Avery. Why has Dad chosen to leave me in the dark? Is he that ashamed of having an affair with an employee? Is he afraid of something else? Or is he simply trying to protect our family? At this point, that’s about the only scenario I’d be willing to forgive. With Viola and Morehouse dead—and Henry Sexton close to death—there’s clearly information in play that people are willing to kill to suppress. The question is, does my father also possess it?

As I reflect on this possibility, the obvious implication of my earlier deduction hits me like a stitch in the side. If Dad is lying about his relationship with Viola … then everything Lincoln Turner contends could be true. And Shad Johnson could be prosecuting Dad in the legitimate belief that he killed Viola to silence her about Lincoln’s paternity.