Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

As I stand frozen in the doorway, another voice rises in my mind. It’s not mine, or my father’s, or any other that I’ve heard in a long time. This voice is soft and feminine, yet filled with conviction. It belongs to my wife, Sarah, dead seven years now. She has spoken to me only in times of great travail, and then almost too softly to hear. But tonight her words come clear to me: If you want the truth … you know what to do.

“I don’t,” I say to the empty street, wondering if I’m going mad.

Do what you do best, she says.

“What’s that?” I mutter.

Solve the crime.

AROUND THE BLOCK FROM Shad’s office, in the City Hall parking lot, I climb into my Audi and start the engine, my heart pounding from the run from Shad’s office. All the way around the block, my wife’s voice echoed like a mantra in my head: Solve the crime, solve the crime …

The preliminary autopsy report Jewel Washington passed to me (in violation of the law) lies on the passenger seat beside me. I analyzed hundreds of such documents during my years as an assistant DA, but right now I can’t bring myself to wade through a pathologist’s report. That work is more suited to the deep of the night, when no interruptions will break my concentration. Besides, that report can only tell me so much. Without access to the crime scene evidence—all of it—I can only make deductions based on part of the picture, and that’s asking for trouble. Beyond this, all my instinct tells me that Viola’s murder won’t be solved by deconstructing the crime, Sherlock Holmes–style. In fact, I believe I already know who actually robbed Viola of her last few days of life. According to Henry Sexton, Glenn Morehouse believed that his Double Eagle comrades murdered Viola, to bury her knowledge about the murders of her brother and Luther Davis. But the murder of Jimmy Revels was actually ordered by Brody Royal, in an effort carry out the will of Carlos Marcello, who wanted Bobby Kennedy dead before he could be elected president. Though that plot was ultimately aborted—due to the accidental death of Frank Knox—Jimmy and Luther were killed and “disappeared” to obliterate all trace of the plan. How much could Viola have known about any of that? According to Morehouse, Viola was held prisoner in the machine shop where and while her brother and Luther were tortured, but by then the RFK hit had been canceled. Is it possible that Snake Knox and his buddies—knowing they were about to kill Jimmy, Luther, and Viola—spoke freely about Royal and Marcello’s planned operation in front of their prisoners?

No. If they had, they’d never have let Viola live, no matter what my father promised them in return.