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Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

She crosses to my desk and hands me a manila envelope. “I’m going to be asking the supervisors for a budget increase for my department at the next meeting. I need an assistant. I wanted you to be aware in case there’s anything you can do to help me.”

“Well … I’d like to help, but you know I have no vote on that board.”

“I know that.” Jewel looks over her shoulder as though someone might walk in at any moment. “But your opinion carries a lot of weight.”

“I’ll do what I can.” I shake the envelope. “Is this the budget?”

She smiles. “The budget’s in there. And if anyone asks later, that’s all you found. But you study the last few pages real close, all right? In fact, I think you ought to look at them now.”

Jewel is my favorite city employee, but right now I’m not sure I can focus on any routine matters. “Jewel—”

She reaches out and squeezes my hand. “Read it, baby.”

Setting down my files, I open the folder and flip through what looks like the usual appeal for assistance from a bureaucratic department. As I reach the end, though, the typeface changes, becoming much smaller, and I see handwritten notes and diagrams—some of the human body. Flipping back one page, I read a boldface title: PRELIMINARY POSTMORTEM RESULTS: VIOLA REVELS TURNER. Michael Winters, M.D., F.C.A.P. I nearly swallow my Adam’s apple.

“More interesting than you thought?” Jewel asks with a sly look.

“I’ll definitely give your request my fullest attention.”

She lowers her voice to a whisper. “I’ll give you the short version now. Miss Viola died from an overdose of adrenaline.”

“Was it an amount that might be reasonably given in a code-blue situation?”

Jewel shakes her head. “Massive overdose. If it was administered by a health-care professional, it almost had to be intentional, unless they picked up the wrong-dilution syringe by mistake. If it was a layman … who knows? I can imagine a lot of different scenarios, but none of them look particularly good for Dr. Cage.”

“Does Shad have a copy of this yet?”

“As of about ten minutes ago.”

So you were Shad’s appointment. I sag onto my desk. Despite the help that so many people seem prepared to offer, and their faith in my father’s good character, I have a sense that, like the Titanic, we’re on a stately but unalterable course toward disaster. Somewhere in the darkness ahead lies a submerged berg that will tear a hole beneath the waterline of all our hopes.

“Hey,” Jewel says gently, coming forward. “You don’t look good.”

“It’s been a truly crappy day.”

She gives me hard-earned smile of empathy. “I’ve seen a few myself.”

“Any advice for getting through them?”