Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

Tom’s life was inextricably bound up with the tumultuous events of that era. His seven-week affair with Viola had begun two days after they had patched up Jimmy Revels, Luther Davis, and the Double Eagles after that highway brawl, and it had ended—truly ended—on the day Frank Knox died. One day prior, Viola had asked Dr. Lucas to switch her to Dr. Ross, leaving Tom crazed with longing and emotionally adrift. When he arrived at the clinic the next morning, he’d been thinking only of himself, with no idea what fate had in store for him. Within sixty minutes, Viola Turner would teach him just how blind a man could be to the world around him, and even to those he loved.

As per Dr. Lucas’s orders, Viola began that day working under Dr. Ross, who was elated by the new arrangement. Tom got Anna Mae Nugent, an older white nurse, as a substitute. He went through the motions with his first five or six patients, then told Anna Mae that he needed to make some calls from his office. He’d just closed the door and removed his stethoscope when he heard a shout from up near reception. A moment later, Anna Mae came barreling up the hall.

“They just brought a man in from Triton Battery!” she cried. “A pallet of batteries fell on him. He’s tore up bad, Doc. Looks like a hospital case, but he was already here, so I told them to put him in the surgery.”

Tom grabbed his stethoscope and walked calmly toward the surgery, his grief over Viola easing with every step. Dr. Lucas was performing an appendectomy at the Jefferson Davis Hospital, but even if he’d been in the clinic, Lucas would have expected Tom to take this case. Dr. Lucas liked nice, clean surgeries scheduled far in advance. Surprise traumas weren’t to his taste. The upshot of all this was that Tom wouldn’t even have to ask for Viola; it was understood that she assisted on all trauma cases that came to the clinic.

“Do you need help, Tom?” Jim Ross asked from a doorway to his right. “Anna Mae said the guy looks bad.”

“No, I’m fine,” Tom said quickly. “I’m just going to stabilize him, then get him transported to the emergency room. I’d appreciate it if you’d call an ambulance for me.”

“Done.”

“Anna Mae?” Tom called. “Pull the man’s record.”

“I’ll have it down there in a second.”

Tom turned the corner and almost plowed into Viola, who was hurrying up the hall from the direction of the surgery.

“What are you doing?” he asked. “Who’s with the patient?”

“Two of his friends.”

“No nurse?”

“No.” Viola’s face was taut, her eyes dead. “I’m not treating him.”

“What?”

“You heard me. I’m not treating that man.”

“Who is it?” Tom asked, stunned by her defiant tone.