Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
“Dad, from what I know, the physical evidence at the death scene is against you. The facts as I know them are against you. That doesn’t bode well for your legal prospects.”
He puts the Partagas between his teeth, and a blue nimbus of smoke floats out of his mouth as he speaks. “Old Shelby said something interesting about facts: ‘People make a grievous error thinking that a list of facts is the truth. Facts are just the bare bones out of which truth is made.’”
How do you respond to a guy who talks like this? He should write a book: Zen and the Art of Evading Questions, by Tom Cage.
“You said you spoke to Henry Sexton,” he reminds me. “What did he tell you?”
I want to probe Dad about the extent of his relations with Viola, but I can’t quite bring myself to open with such an invasion of his privacy. “Do you remember a man named Glenn Morehouse?”
“I think so. Big fellow? Hypertensive.”
“That’s him. He was murdered tonight, for talking to Henry Sexton.”
Dad’s eyes widen slightly behind his glasses. “I see. I imagine Morehouse knew a lot about … Henry’s special areas of interest.”
“That’s an understatement.” I can’t temporize any longer. “Dad, forgive me, but earlier you told me you’d take a DNA test regarding Lincoln Turner’s paternity. I have to go one step further. Could you conceivably be Lincoln’s father? Is there any chance of that?”
He takes the cigar from his mouth and sets it in his ashtray. “No,” he says, his voice and eyes steady.
Thank God, I say silently, trying not to show my relief. “Well, Lincoln seems to believe you are. He was parked outside my house tonight when I got home.”
Real alarm comes into Dad’s face. “Did he threaten you?”
“Only with exposure of the truth, which he said would destroy you.”
After a few moments, Dad waves his hand. “Don’t pay any attention to that.”
“Could Viola have told him he’s your son?”
Dad sighs. “If you’d asked me two months ago, I’d have said no. But after what I saw these past weeks … it’s possible. Viola was depressed, even desperate. And considering the alternative story …”
So Dad knows about Viola’s rape. “All right, then. We need to get the DNA test out of the way as soon as possible, so both Shad and Lincoln can start seeing this thing more objectively.”
“Is Lincoln Turner all Henry spoke to you about?”
“No. He told me a lot, but we both need to get some sleep soon. Based on what Henry told me, there are three questions I’d like to ask you.”
He sits back and laces his fingers across his belly. “Go ahead.”