Chapters (113)
- NATCHEZBURNING
- GREG ILES
- Dedication
- Epigraph
- PROLOGUE
- PART ONE
- 1964–1968
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- PART TWO
- 2005
- MONDAY
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- TUESDAY
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- WEDNESDAY
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- AFTERWORD
- BOOKS BY GREG ILES
- Copyright
- About the Publisher
Backpedaling up the steps, I stare into the pickup’s open window, searching for the glint of a gun barrel. To my surprise, the truck screeches to a stop, its diesel engine idling low and heavy, like that of a tank. A dark face hovers in the driver’s window; I can just make out the whites of eyes in its upper half.
“You the mayor?” asks a voice that’s not quite James Earl Jones deep, but very nearly so.
“That’s right,” I answer, still wary of an attack.
“I want to talk to you.”
“I have an office.”
The lips part enough for me to see yellow-white teeth. “I ain’t gonna hurt you none.”
“You’re going to hurt somebody, driving like that.” Edging down off the steps, I move warily toward his window. “You’re going the wrong way on a one-way street.”
“That right?” The man laughs without humor. “Well, I’m new in town.”
“Where are you from?”
The eyelids blink once, slowly. “You don’t know who I am?”
His face is darker than those of many local blacks, and squarer than most, as well. There’s a grayish cast to his skin, or perhaps even a blue tint, but it’s hard to tell by the dashboard lights. He has a strong jaw and nose, but I can’t tell much about his eyes. Up close, the sclera are more yellow than white, giving him a jaundiced look. I’m about to say I don’t recognize the face when I realize I must be looking at Viola’s son—Lincoln Turner.
“Does this truck have Illinois plates?”
Lincoln grins. “Give that man a see-gar!”
“What do you want here?”
“Your daddy killed my mama,” he says, all humor gone from the bass voice. “I’d say we’re overdue for a meeting.”
An emotion I’d like to call something else but which is in fact raw fear has scrambled my nerves. I suddenly need to piss—badly.
“Why are you here at my house?”
“I wanted to see your face. And to tell you something. There was a time when your daddy could have done what he did to my mama and have nothing happen behind it. But that time’s past. Even in Mississippi.”
“Are you so certain about what happened to your mother?”
“My auntie doesn’t lie, Mayor.”
Turner must be referring to Cora Revels. I consider raising the question of his paternity, but a dark street doesn’t seem like the best place to bring up a gang rape. Better to let Shad broach this subject with Turner.
“This isn’t the proper venue to discuss these matters, Mr. Turner.”
He grins again. “A lawyer, even now? Out here?” His voice is taunting. “Are you inviting me into your house? With your fiancée and your little girl?”