Back Natchez Burning
Chapters (113)
  1. NATCHEZBURNING
  2. GREG ILES
  3. Dedication
  4. Epigraph
  5. PROLOGUE
  6. PART ONE
  7. 1964–1968
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. PART TWO
  12. 2005
  13. MONDAY
  14. CHAPTER 4
  15. CHAPTER 5
  16. CHAPTER 6
  17. CHAPTER 7
  18. CHAPTER 8
  19. CHAPTER 9
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. CHAPTER 21
  32. CHAPTER 22
  33. CHAPTER 23
  34. CHAPTER 24
  35. CHAPTER 25
  36. CHAPTER 26
  37. CHAPTER 27
  38. CHAPTER 28
  39. CHAPTER 29
  40. CHAPTER 30
  41. CHAPTER 31
  42. CHAPTER 32
  43. TUESDAY
  44. CHAPTER 33
  45. CHAPTER 34
  46. CHAPTER 35
  47. CHAPTER 36
  48. CHAPTER 37
  49. CHAPTER 38
  50. CHAPTER 39
  51. CHAPTER 40
  52. CHAPTER 41
  53. CHAPTER 42
  54. CHAPTER 43
  55. CHAPTER 44
  56. CHAPTER 45
  57. CHAPTER 46
  58. CHAPTER 47
  59. CHAPTER 48
  60. CHAPTER 49
  61. CHAPTER 50
  62. CHAPTER 51
  63. CHAPTER 52
  64. CHAPTER 53
  65. CHAPTER 54
  66. CHAPTER 55
  67. CHAPTER 56
  68. CHAPTER 57
  69. CHAPTER 58
  70. WEDNESDAY
  71. CHAPTER 59
  72. CHAPTER 60
  73. CHAPTER 61
  74. CHAPTER 62
  75. CHAPTER 63
  76. CHAPTER 64
  77. CHAPTER 65
  78. CHAPTER 66
  79. CHAPTER 67
  80. CHAPTER 68
  81. CHAPTER 69
  82. CHAPTER 70
  83. CHAPTER 71
  84. CHAPTER 72
  85. CHAPTER 73
  86. CHAPTER 74
  87. CHAPTER 75
  88. CHAPTER 76
  89. CHAPTER 77
  90. CHAPTER 78
  91. CHAPTER 79
  92. CHAPTER 80
  93. CHAPTER 81
  94. CHAPTER 82
  95. CHAPTER 83
  96. CHAPTER 84
  97. CHAPTER 85
  98. CHAPTER 86
  99. CHAPTER 87
  100. CHAPTER 88
  101. CHAPTER 89
  102. CHAPTER 90
  103. CHAPTER 91
  104. CHAPTER 92
  105. CHAPTER 93
  106. CHAPTER 94
  107. CHAPTER 95
  108. CHAPTER 96
  109. CHAPTER 97
  110. AFTERWORD
  111. BOOKS BY GREG ILES
  112. Copyright
  113. About the Publisher

That dream ended forty-five days after it began.

Nearly seven weeks after they consummated their desire in the X-ray room, Viola suddenly changed. The previous day, Tom had rendezvoused with her as usual, and her eyes had shone with boundless love. The next morning, when he saw her in the clinic, the light had gone out of her eyes, and impassable walls had been raised around her. When he tried to question her, she only shook her head and hurried on to the next patient. Without saying anything, Viola made it clear that Tom Cage was as irrevocably part of her past as her dead husband. At first he thought she must have received some bad news about her brother. But during a tense coffee break she told him that Jimmy was still hiding in Freewoods, though chafing to return to Natchez and “the struggle.” After two hours of dazed disbelief, Tom finally cornered Viola in an examining room and demanded an explanation for the distance between them.

“You have a family,” she said with lacerating formality. “If we’d kept going, we would have destroyed that. We have no right to do that. You can’t build happiness on someone else’s pain.”

Before Tom could answer, she brushed past him and went back to work. As the day wore on, Tom rehearsed a thousand arguments in his mind, but the more he tried to argue with her premise, the more right he realized she was. He’d been in denial from the beginning, and Viola had simply chosen to force him out of it. There were only two possible endings for their relationship: in Scenario One, Tom would keep his family and Viola would be alone, at least until she found someone new; in Scenario Two … well, Scenario Two was unthinkable. If Tom tried to possess Viola, he would destroy his family, his career, Viola, and possibly even himself.

In truth, both scenarios seemed unendurable. To lose Viola would be agony, yet to give up his family would mean betraying his deepest convictions. Then, like an unexpected blow, the full weight of the first possibility struck Tom: to see Viola in love with someone else … that might well shatter him. After this realization, every moment of that day became a struggle to maintain control of himself. He was trying to figure out some Solomonic solution when Dr. Lucas called him into his office and told him that Viola had asked to be assigned to Dr. Ross, a GP Lucas had hired two months earlier. Ross was only two years out of medical school, and Dr. Lucas told Tom that both Ross and the clinic would benefit from Viola’s experience. Tom sat in shock before his senior partner’s desk, unable to find credible words of protest.