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Contents (93)
  1. CONTENTS
  2. MRS. SPRING FRAGRANCE
  3. I
  4. II
  5. III
  6. IV
  7. THE INFERIOR WOMAN
  8. I
  9. II
  10. III
  11. IV
  12. V
  13. VI
  14. THE WISDOM OF THE NEW
  15. I
  16. II
  17. III
  18. IV
  19. V
  20. VI
  21. VII
  22. “ITS WAVERING IMAGE”
  23. I
  24. II
  25. IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
  26. III
  27. “CURSED BE HIS ANCESTORS,” BAYED Man You.
  28. IV
  29. THE GIFT OF LITTLE ME
  30. THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
  31. I
  32. II
  33. HER CHINESE HUSBAND
  34. THE AMERICANIZING OF PAU TSU
  35. I
  36. II
  37. III
  38. IV
  39. IN THE LAND OF THE FREE
  40. I
  41. II
  42. III
  43. IV
  44. THE CHINESE LILY
  45. THE SMUGGLING OF TIE CO
  46. THE GOD OF RESTORATION
  47. THE THREE SOULS OF AH SO NAN
  48. I
  49. II
  50. III
  51. IV
  52. THE PRIZE CHINA BABY
  53. LIN JOHN
  54. TIAN SHAN’S KINDRED SPIRIT
  55. THE SING SONG WOMAN
  56. I
  57. II
  58. TALES OF CHINESE CHILDREN
  59. THE SILVER LEAVES
  60. THE PEACOCK LANTERN
  61. CHILDREN OF PEACE
  62. I
  63. II
  64. III
  65. IV
  66. V
  67. “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
  68. THE BANISHMENT OF MING AND MAI
  69. I
  70. II The Tiger’s Farewell
  71. THE STORY OF A LITTLE CHINESE SEABIRD
  72. WHAT ABOUT THE CAT?
  73. THE WILD MAN AND THE GENTLE BOY
  74. THE GARMENTS OF THE FAIRIES
  75. THE DREAMS THAT FAILED
  76. GLAD YEN
  77. THE DECEPTIVE MAT
  78. THE HEART’S DESIRE
  79. THE CANDY THAT IS NOT SWEET
  80. THE INFERIOR MAN
  81. THE MERRY BLIND-MAN
  82. MISUNDERSTOOD
  83. THE LITTLE FAT ONE
  84. A CHINESE BOY-GIRL
  85. I
  86. II
  87. PAT AND PAN
  88. I
  89. II
  90. III
  91. THE CROCODILE PAGODA
  92. A NOTE ABOUT THE AUTHOR
  93. A NOTE FROM THE PUBLISHER

“For his sake!” echoed Ah Wing.

“Yes, for his sake,” answered the little sick boy. “It is so good to see him happy. It is that which makes me happy.”

The tears came into Ah Wing’s eyes.

“Honorable lantern man,” said he, turning to the father of the little sick boy, “I wish no more for the peacock lantern. Keep it, I pray thee, for thy little sick boy. And honorable father”—he took his father’s hand—“kindly buy for me at the same price as the peacock lantern one of the other beautiful lanterns belonging to the honorable lantern man.”

CHILDREN OF PEACE

I

THEY WERE TWO YOUNG PEOPLE with heads hot enough and hearts true enough to believe that the world was well lost for love, and they were Chinese.

They sat beneath the shade of a cluster of tall young pines forming a perfect bower of greenness and coolness on the slope of Strawberry hill. Their eyes were looking ocean-wards, following a ship nearing the misty horizon. Very serious were their faces and voices. That ship, sailing from west to east, carried from each a message to his and her kin—a message which humbly but firmly set forth that they were resolved to act upon their belief and to establish a home in the new country, where they would ever pray for blessings upon the heads of those who could not see as they could see, nor hear as they could hear.

“My mother will weep when she reads,” sighed the girl.

“Pau Tsu,” the young man asked, “do you repent?”

“No,” she replied, “but—”

She drew from her sleeve a letter written on silk paper.

The young man ran his eye over the closely penciled characters.

“’Tis very much in its tenor like what my father wrote to me,” he commented.

“Not that.”

Pau Tsu indicated with the tip of her pink forefinger a paragraph which read:

Are you not ashamed to confess that you love a youth who is not yet your husband? Such disgraceful boldness will surely bring upon your head the punishment you deserve. Before twelve moons go by you will be an Autumn Fan.

The young man folded the missive and returned it to the girl, whose face was averted from his.

“Our parents,” said he, “knew not love in its springing and growing, its bud and blossom. Let us, therefore, respectfully read their angry letters, but heed them not. Shall I not love you dearer and more faithfully because you became mine at my own request and not at my father’s? And Pau Tsu, be not ashamed.”

The girl lifted radiant eyes.

“Listen,” said she. “When you, during vacation, went on that long journey to New York, to beguile the time I wrote a play. My heroine is very sad, for the one she loves is far away and she is much tormented by enemies. They would make her ashamed of her love. But this is what she replies to one cruel taunt: