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Contents (93)
  1. CONTENTS
  2. MRS. SPRING FRAGRANCE
  3. I
  4. II
  5. III
  6. IV
  7. THE INFERIOR WOMAN
  8. I
  9. II
  10. III
  11. IV
  12. V
  13. VI
  14. THE WISDOM OF THE NEW
  15. I
  16. II
  17. III
  18. IV
  19. V
  20. VI
  21. VII
  22. “ITS WAVERING IMAGE”
  23. I
  24. II
  25. IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
  26. III
  27. “CURSED BE HIS ANCESTORS,” BAYED Man You.
  28. IV
  29. THE GIFT OF LITTLE ME
  30. THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
  31. I
  32. II
  33. HER CHINESE HUSBAND
  34. THE AMERICANIZING OF PAU TSU
  35. I
  36. II
  37. III
  38. IV
  39. IN THE LAND OF THE FREE
  40. I
  41. II
  42. III
  43. IV
  44. THE CHINESE LILY
  45. THE SMUGGLING OF TIE CO
  46. THE GOD OF RESTORATION
  47. THE THREE SOULS OF AH SO NAN
  48. I
  49. II
  50. III
  51. IV
  52. THE PRIZE CHINA BABY
  53. LIN JOHN
  54. TIAN SHAN’S KINDRED SPIRIT
  55. THE SING SONG WOMAN
  56. I
  57. II
  58. TALES OF CHINESE CHILDREN
  59. THE SILVER LEAVES
  60. THE PEACOCK LANTERN
  61. CHILDREN OF PEACE
  62. I
  63. II
  64. III
  65. IV
  66. V
  67. “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
  68. THE BANISHMENT OF MING AND MAI
  69. I
  70. II The Tiger’s Farewell
  71. THE STORY OF A LITTLE CHINESE SEABIRD
  72. WHAT ABOUT THE CAT?
  73. THE WILD MAN AND THE GENTLE BOY
  74. THE GARMENTS OF THE FAIRIES
  75. THE DREAMS THAT FAILED
  76. GLAD YEN
  77. THE DECEPTIVE MAT
  78. THE HEART’S DESIRE
  79. THE CANDY THAT IS NOT SWEET
  80. THE INFERIOR MAN
  81. THE MERRY BLIND-MAN
  82. MISUNDERSTOOD
  83. THE LITTLE FAT ONE
  84. A CHINESE BOY-GIRL
  85. I
  86. II
  87. PAT AND PAN
  88. I
  89. II
  90. III
  91. THE CROCODILE PAGODA
  92. A NOTE ABOUT THE AUTHOR
  93. A NOTE FROM THE PUBLISHER

Lin Fo accepted the invitation in behalf of himself and wife. He was quite at home with the Americans and, being a young man, enjoyed their rather effusive appreciation of him as an educated Chinaman. Moreover, he was of the opinion that the society of the American young ladies would benefit Pau Tsu in helping her to acquire the ways and language of the land in which he hoped to make a fortune.

Wan Lin Fo was a true son of the Middle Kingdom and secretly pitied all those who were born far away from its influences; but there was much about the Americans that he admired. He also entertained sentiments of respect for a motto which hung in his room which bore the legend: “When in Rome, do as the Romans do.”

“What is best for men is also best for women in this country,” he told Pau Tsu when she wept over his suggestion that she should take some lessons in English from a white woman.

“It may be best for a man who goes out in the street,” she sobbed, “to learn the new language, but of what importance is it to a woman who lives only within the house and her husband’s heart?”

It was seldom, however, that she protested against the wishes of Lin Fo. As her mother-in-law had said, she was a docile, happy little creature. Moreover, she loved her husband.

But as the days and weeks went by the girl bride whose life hitherto had been spent in the quiet retirement of a Chinese home in the performance of filial duties, in embroidery work and lute playing, in sipping tea and chatting with gentle girl companions, felt very much bewildered by the novelty and stir of the new world into which she had been suddenly thrown. She could not understand, for all Lin Fo’s explanations, why it was required of her to learn the strangers’ language and adopt their ways. Her husband’s tongue was the same as her own. So also her little maid’s. It puzzled her to be always seeing this and hearing that—sights and sounds which as yet had no meaning for her. Why also was it necessary to receive visitors nearly every evening?—visitors who could neither understand nor make themselves understood by her, for all their curious smiles and stares, which she bore like a second Vashti—or rather, Esther. And why, oh! why should she be constrained to eat her food with clumsy, murderous looking American implements instead of with her own elegant and easily manipulated ivory chopsticks?

Adah Raymond, who at Lin Fo’s request was a frequent visitor to the house, could not fail to observe that Pau Tsu’s small face grew daily smaller and thinner, and that the smile with which she invariably greeted her, though sweet, was tinged with melancholy. Her woman’s instinct told her that something was wrong, but what it was the light within her failed to discover. She would reach over to Pau Tsu and take within her own firm, white hand the small, trembling fingers, pressing them lovingly and sympathetically; and the little Chinese woman would look up into the beautiful face bent above hers and think to herself: “No wonder he wishes me to be like her!”