Contents (93)
- CONTENTS
- MRS. SPRING FRAGRANCE
- I
- II
- III
- IV
- THE INFERIOR WOMAN
- I
- II
- III
- IV
- V
- VI
- THE WISDOM OF THE NEW
- I
- II
- III
- IV
- V
- VI
- VII
- “ITS WAVERING IMAGE”
- I
- II
- IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
- III
- “CURSED BE HIS ANCESTORS,” BAYED Man You.
- IV
- THE GIFT OF LITTLE ME
- THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
- I
- II
- HER CHINESE HUSBAND
- THE AMERICANIZING OF PAU TSU
- I
- II
- III
- IV
- IN THE LAND OF THE FREE
- I
- II
- III
- IV
- THE CHINESE LILY
- THE SMUGGLING OF TIE CO
- THE GOD OF RESTORATION
- THE THREE SOULS OF AH SO NAN
- I
- II
- III
- IV
- THE PRIZE CHINA BABY
- LIN JOHN
- TIAN SHAN’S KINDRED SPIRIT
- THE SING SONG WOMAN
- I
- II
- TALES OF CHINESE CHILDREN
- THE SILVER LEAVES
- THE PEACOCK LANTERN
- CHILDREN OF PEACE
- I
- II
- III
- IV
- V
- “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
- THE BANISHMENT OF MING AND MAI
- I
- II The Tiger’s Farewell
- THE STORY OF A LITTLE CHINESE SEABIRD
- WHAT ABOUT THE CAT?
- THE WILD MAN AND THE GENTLE BOY
- THE GARMENTS OF THE FAIRIES
- THE DREAMS THAT FAILED
- GLAD YEN
- THE DECEPTIVE MAT
- THE HEART’S DESIRE
- THE CANDY THAT IS NOT SWEET
- THE INFERIOR MAN
- THE MERRY BLIND-MAN
- MISUNDERSTOOD
- THE LITTLE FAT ONE
- A CHINESE BOY-GIRL
- I
- II
- PAT AND PAN
- I
- II
- III
- THE CROCODILE PAGODA
- A NOTE ABOUT THE AUTHOR
- A NOTE FROM THE PUBLISHER
III
O’YAM CLIMBED THE STAIRS TO the joss house. The desire for solitude brought her there; but when she had closed the door upon herself, she found that she was not alone. Fou Wang was there. Before the images of the Three Wise Ones he stood, silent, motionless.
“He is communing with his mother’s spirit,” thought O’Yam. She beheld him through a mist of tears. Love filled her whole being. She dared not move, because she was afraid he would turn and see her, and then, of course, he would go away. She would stay near him for a few moments and then retire.
The dim light of the place, the quietness in the midst of noise, the fragrance of some burning incense, soothed and calmed her. It was as if all the sorrow and despair that had overwhelmed her when her father had told her to prepare for her wedding with Moy Ding Fong had passed away.
After a few moments she stepped back softly towards the door. But she was too late. Fou Wang turned and beheld her.
She fluttered like a bird until she saw that, surprised by her presence, he had forgotten death and thought only of life—of life and love. A glad, eager light shone in his eyes. He made a swift step towards her. Then—he covered his face with his hands.
“Fou Wang!” cried O’Yam, love at last overcoming superstition, “must I become the wife of Moy Ding Fong?”
“No, ah no!” he moaned.
“Then,” said the girl in desperation, “take me to yourself.”
Fou Wang’s hands fell to his side. For a moment he looked into that pleading face—and wavered.
A little bird flew in through an open window, and perching itself upon an altar, began twittering.
Fou Wang started back, the expression on his face changing.
“A warning from the dead,” he muttered, “a warning from the dead!”
An iron hand gripped O’Yam’s heart. Life itself seemed to have closed upon her.
IV
IT WAS AFTERNOON BEFORE EVENING, and the fog was rolling in from the sea. Quietness reigned in the plot of ground sacred to San Francisco’s Chinese dead when Fou Wang deposited a bundle at the foot of his mother’s grave and prepared for the ceremony of ministering to her three souls.
The fragrance from a wall of fir trees near by stole to his nostrils as he cleared the weeds and withered leaves from his parent’s resting place. As he placed the bowls of rice and chicken and the vase of incense where he was accustomed to place it, he became dimly conscious of a presence or presences behind the fir wall.
He sighed deeply. No doubt the shade of his parent was restless, because—
“Fou Wang,” spake a voice, low but distinct.
The young man fell upon his knees.
“Honored Mother!” he cried.
“Fou Wang,” repeated the voice, “though my name is on thy lips, O’Yam’s is in thy heart.”
Conscience-stricken, Fou Wang yet retained spirit enough to gasp: