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Contents (93)
  1. CONTENTS
  2. MRS. SPRING FRAGRANCE
  3. I
  4. II
  5. III
  6. IV
  7. THE INFERIOR WOMAN
  8. I
  9. II
  10. III
  11. IV
  12. V
  13. VI
  14. THE WISDOM OF THE NEW
  15. I
  16. II
  17. III
  18. IV
  19. V
  20. VI
  21. VII
  22. “ITS WAVERING IMAGE”
  23. I
  24. II
  25. IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
  26. III
  27. “CURSED BE HIS ANCESTORS,” BAYED Man You.
  28. IV
  29. THE GIFT OF LITTLE ME
  30. THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
  31. I
  32. II
  33. HER CHINESE HUSBAND
  34. THE AMERICANIZING OF PAU TSU
  35. I
  36. II
  37. III
  38. IV
  39. IN THE LAND OF THE FREE
  40. I
  41. II
  42. III
  43. IV
  44. THE CHINESE LILY
  45. THE SMUGGLING OF TIE CO
  46. THE GOD OF RESTORATION
  47. THE THREE SOULS OF AH SO NAN
  48. I
  49. II
  50. III
  51. IV
  52. THE PRIZE CHINA BABY
  53. LIN JOHN
  54. TIAN SHAN’S KINDRED SPIRIT
  55. THE SING SONG WOMAN
  56. I
  57. II
  58. TALES OF CHINESE CHILDREN
  59. THE SILVER LEAVES
  60. THE PEACOCK LANTERN
  61. CHILDREN OF PEACE
  62. I
  63. II
  64. III
  65. IV
  66. V
  67. “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
  68. THE BANISHMENT OF MING AND MAI
  69. I
  70. II The Tiger’s Farewell
  71. THE STORY OF A LITTLE CHINESE SEABIRD
  72. WHAT ABOUT THE CAT?
  73. THE WILD MAN AND THE GENTLE BOY
  74. THE GARMENTS OF THE FAIRIES
  75. THE DREAMS THAT FAILED
  76. GLAD YEN
  77. THE DECEPTIVE MAT
  78. THE HEART’S DESIRE
  79. THE CANDY THAT IS NOT SWEET
  80. THE INFERIOR MAN
  81. THE MERRY BLIND-MAN
  82. MISUNDERSTOOD
  83. THE LITTLE FAT ONE
  84. A CHINESE BOY-GIRL
  85. I
  86. II
  87. PAT AND PAN
  88. I
  89. II
  90. III
  91. THE CROCODILE PAGODA
  92. A NOTE ABOUT THE AUTHOR
  93. A NOTE FROM THE PUBLISHER

The girl burst into passionate sobs. The actress, who was evidently accustomed to hearing her compatriots reviled by the white and half-white denizens of Chinatown, laughed—a light, rippling laugh. Her eyes glinted mischievously.

“Since you do not like the Chinese men,” said she, “why do you give yourself to one? And if you care so much for somebody else, why do you not fly to that somebody?”

Bold words for a Chinese woman to utter! But Ah Oi was not as other Chinese women, who all their lives have been sheltered by a husband or father’s care.

The half-white girl stared at her companion.

“What do you mean?” she asked.

“This,” said Ah Oi. The fair head and dark head drew near together; and two women passing the door heard whispers and suppressed laughter.

“Ah Oi is up to some trick,” said one.

II

“THE SING SONG WOMAN! THE Sing Song Woman!” It was a wild cry of anger and surprise.

The ceremony of unveiling the bride had just been performed, and Hwuy Yen, the father of Mag-gee, and his friends, were in a state of great excitement, for the unveiled, brilliantly clothed little figure standing in the middle of the room was not the bride who was to have been; but Ah Oi, the actress, the Sing Song Woman.

Every voice but one was raised. The bridegroom, a tall, handsome man, did not understand what had happened, and could find no words to express his surprise at the uproar. But he was so newly wedded that it was not until Hwuy Yen advanced to the bride and shook his hand threateningly in her face, that he felt himself a husband, and interfered by placing himself before the girl.

“What is all this?” he inquired. “What has my wife done to merit such abuse?”

“Your wife!” scornfully exclaimed Hwuy Yen. “She is no wife of yours. You were to have married my daughter, Mag-gee. This is not my daughter; this is an impostor, an actress, a Sing Song Woman. Where is my daughter?”

Ah Oi laughed her peculiar, rippling, amused laugh. She was in no wise abashed, and, indeed, appeared to be enjoying the situation. Her bright, defiant eyes met her questioner’s boldly as she answered:

“Mag-gee has gone to eat beef and potatoes with a white man. Oh, we had such a merry time making this play!”

“See how worthless a thing she is,” said Hwuy Yen to the young bridegroom.

The latter regarded Ah Oi compassionately. He was a man, and perhaps a little tenderness crept into his heart for the girl towards whom so much bitterness was evinced. She was beautiful. He drew near to her.

“Can you not justify yourself?” he asked sadly.

For a moment Ah Oi gazed into his eyes—the only eyes that had looked with true kindness into hers for many a moon.

“You justify me,” she replied with an upward, pleading glance.

Then Ke Leang, the bridegroom, spoke. He said: “The daughter of Hwuy Yen cared not to become my bride and has sought her happiness with another. Ah Oi, having a kind heart, helped her to that happiness, and tried to recompense me my loss by giving me herself. She has been unwise and indiscreet; but the good that is in her is more than the evil, and now that she is my wife, none shall say a word against her.”