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Contents (93)
  1. CONTENTS
  2. MRS. SPRING FRAGRANCE
  3. I
  4. II
  5. III
  6. IV
  7. THE INFERIOR WOMAN
  8. I
  9. II
  10. III
  11. IV
  12. V
  13. VI
  14. THE WISDOM OF THE NEW
  15. I
  16. II
  17. III
  18. IV
  19. V
  20. VI
  21. VII
  22. “ITS WAVERING IMAGE”
  23. I
  24. II
  25. IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
  26. III
  27. “CURSED BE HIS ANCESTORS,” BAYED Man You.
  28. IV
  29. THE GIFT OF LITTLE ME
  30. THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
  31. I
  32. II
  33. HER CHINESE HUSBAND
  34. THE AMERICANIZING OF PAU TSU
  35. I
  36. II
  37. III
  38. IV
  39. IN THE LAND OF THE FREE
  40. I
  41. II
  42. III
  43. IV
  44. THE CHINESE LILY
  45. THE SMUGGLING OF TIE CO
  46. THE GOD OF RESTORATION
  47. THE THREE SOULS OF AH SO NAN
  48. I
  49. II
  50. III
  51. IV
  52. THE PRIZE CHINA BABY
  53. LIN JOHN
  54. TIAN SHAN’S KINDRED SPIRIT
  55. THE SING SONG WOMAN
  56. I
  57. II
  58. TALES OF CHINESE CHILDREN
  59. THE SILVER LEAVES
  60. THE PEACOCK LANTERN
  61. CHILDREN OF PEACE
  62. I
  63. II
  64. III
  65. IV
  66. V
  67. “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
  68. THE BANISHMENT OF MING AND MAI
  69. I
  70. II The Tiger’s Farewell
  71. THE STORY OF A LITTLE CHINESE SEABIRD
  72. WHAT ABOUT THE CAT?
  73. THE WILD MAN AND THE GENTLE BOY
  74. THE GARMENTS OF THE FAIRIES
  75. THE DREAMS THAT FAILED
  76. GLAD YEN
  77. THE DECEPTIVE MAT
  78. THE HEART’S DESIRE
  79. THE CANDY THAT IS NOT SWEET
  80. THE INFERIOR MAN
  81. THE MERRY BLIND-MAN
  82. MISUNDERSTOOD
  83. THE LITTLE FAT ONE
  84. A CHINESE BOY-GIRL
  85. I
  86. II
  87. PAT AND PAN
  88. I
  89. II
  90. III
  91. THE CROCODILE PAGODA
  92. A NOTE ABOUT THE AUTHOR
  93. A NOTE FROM THE PUBLISHER

The woman eyed her compassionately.

“Your father, I know,” said she, as she unlocked a door and led her companion into a room opening on to the street, “has long wished for an excuse to set at naught your betrothal to Fou Wang; but I am sure the lad to whom you are both sun and moon will never give him one.”

She offered O’Yam some tea, but the girl pushed it aside. “You know not Fou Wang,” she replied, sadly yet proudly. “He will follow his conscience, though he lose the sun, the moon, and the whole world.”

A young woman thrust her head through the door.

“The mother of Fou Wang is dead,” cried she.

“SHE WAS A GOOD WOMAN—a kind and loving mother,” said Liuchi, as she gazed down upon the still features of her friend.

The young daughter of Ah So Nan burst into fresh weeping. Her pretty face was much swollen. Ah So Nan had been well loved by her children, and the falling tears were not merely waters of ceremony.

At the foot of the couch upon which the dead was laid, stood Fou Wang, his face stern and immovable, his eye solemn, yet luminous with a steadfast fire. Over his head was thrown a white cloth. From morn till eve had he stood thus, contemplating the serene countenance of his mother and vowing that nothing should be left undone which could be done to prove his filial affection and desire to comfort her spirit in the land to which it had flown. “Three years, O mother, will I give to thee and grief. Three years will I minister to thy three souls,” he vowed within himself, remembering how sacred to the dead woman were the customs and observances of her own country. They were also sacred to him. Living in America, in the midst of Americans and Americanized Chinese, the family of Fou Wang, with the exception of one, had clung tenaciously to the beliefs of their forefathers.

“All the living must die, and dying, return to the ground. The limbs and the flesh moulder away below, and hidden away, become the earth of the fields; but the spirit issues forth and is displayed on high in a condition of glorious brightness,” quoted a yellow-robed priest, swinging an incense burner before a small candle-lighted altar.

It was midnight when the mourning friends of the family of Fou Wang left the chief mourner alone with his dead mother.

His sister, Fin Fan, and the girl who was his betrothed wife brushed his garments as they passed him by. The latter timidly touched his hand—an involuntary act of sympathy—but if he were conscious of that sympathy, he paid no heed to it, and his gaze never wavered from the face of the dead.

II

“MY GIRL, MOY DING FONG is ready if Fou Wang is not, and you must marry this year. I have sworn you shall.”

Kien Lung walked out of the room with a determined step. He was an Americanized Chinese and had little regard for what he derided as “the antiquated customs of China,” save when it was to his interest to follow them. He was also a widower desirous of marrying again, but undesirous of having two women of like years, one his wife, the other his daughter, under the same roof-tree.