Adah Raymond looked up at Lin Fo.

“I understand,” said she. “There are several women doctors in this town. Let us send for one.”

But Lin Fo’s face was set.

“No!” he declared. “We are in America. Pau Tsu shall be attended to by your physician.”

Adah Raymond was about to protest against this dictum when the sick wife, who had also heard it, touched her hand and whispered: “I not mind now. Man all right.”

So the other girl closed her lips, feeling that if the wife would not dispute her husband’s will it was not her place to do so; but her heart ached with compassion as she bared Pau Tsu’s chest for the stethoscope.

“It was like preparing a lamb for slaughter,” she told her sister afterwards. “Pau Tsu was motionless, her eyes closed and her lips sealed, while the doctor remained; but after he had left and we two were alone she shuddered and moaned like one bereft of reason. I honestly believe that the examination was worse than death to that little Chinese woman. The modesty of generations of maternal ancestors was crucified as I rolled down the neck of her silk tunic.”

It was a week after the doctor’s visit, and Pau Tsu, whose cough had yielded to treatment, though she was still far from well, was playing on her lute, and whisperingly singing this little song, said to have been written on a fan which was presented to an ancient Chinese emperor by one of his wives:

“Of fresh new silk,

All snowy white,

And round as a harvest moon,

A pledge of purity and love,

A small but welcome boon.

While summer lasts,

When borne in hand,

Or folded on thy breast,

’Twill gently soothe thy burning brow,

And charm thee to thy rest.

But, oh, when Autumn winds blow chill,

And days are bleak and cold,

No longer sought, no longer loved,

’Twill lie in dust and mould.

This silken fan then deign accept,

Sad emblem of my lot,

Caressed and cherished for an hour,

Then speedily forgot.”

“Why so melancholy, my pearl?” asked Lin Fo, entering from the street.

“When a bird is about to die, its notes are sad,” returned Pau Tsu.

“But thou art not for death—thou art for life,” declared Lin Fo, drawing her towards him and gazing into a face which day by day seemed to grow finer and more transparent.

IV

A CHINESE MESSENGER-BOY RAN UP the street, entered the store of Wan Hom Hing & Co. and asked for the junior partner. When Lin Fo came forward he handed him a dainty, flowered missive, neatly folded and addressed. The receiver opened it and read:

DEAR AND HONORED HUSBAND,

Your unworthy Pau Tsu lacks the courage to face the ordeal before her. She has, therefore, left you and prays you to obtain a divorce, as is the custom in America, so that you may be happy with the Beautiful One, who is so much your Pau Tsu’s superior. This, she acknowledges, for she sees with your eyes, in which, like a star, the Beautiful One shineth. Else, why should you have your Pau Tsu follow in her footsteps? She has tried to obey your will and to be as an American woman; but now she is very weary, and the terror of what is before her has overcome.