Contents (93)
- CONTENTS
- MRS. SPRING FRAGRANCE
- I
- II
- III
- IV
- THE INFERIOR WOMAN
- I
- II
- III
- IV
- V
- VI
- THE WISDOM OF THE NEW
- I
- II
- III
- IV
- V
- VI
- VII
- “ITS WAVERING IMAGE”
- I
- II
- IT WAS A COOL, QUIET evening, after a hot day. A new moon was in the sky.
- III
- “CURSED BE HIS ANCESTORS,” BAYED Man You.
- IV
- THE GIFT OF LITTLE ME
- THE STORY OF ONE WHITE WOMAN WHO MARRIED A CHINESE
- I
- II
- HER CHINESE HUSBAND
- THE AMERICANIZING OF PAU TSU
- I
- II
- III
- IV
- IN THE LAND OF THE FREE
- I
- II
- III
- IV
- THE CHINESE LILY
- THE SMUGGLING OF TIE CO
- THE GOD OF RESTORATION
- THE THREE SOULS OF AH SO NAN
- I
- II
- III
- IV
- THE PRIZE CHINA BABY
- LIN JOHN
- TIAN SHAN’S KINDRED SPIRIT
- THE SING SONG WOMAN
- I
- II
- TALES OF CHINESE CHILDREN
- THE SILVER LEAVES
- THE PEACOCK LANTERN
- CHILDREN OF PEACE
- I
- II
- III
- IV
- V
- “HOW MANY MOONS, LIU VENTI, since our little ones went from us?” asked Pau Tsu.
- THE BANISHMENT OF MING AND MAI
- I
- II The Tiger’s Farewell
- THE STORY OF A LITTLE CHINESE SEABIRD
- WHAT ABOUT THE CAT?
- THE WILD MAN AND THE GENTLE BOY
- THE GARMENTS OF THE FAIRIES
- THE DREAMS THAT FAILED
- GLAD YEN
- THE DECEPTIVE MAT
- THE HEART’S DESIRE
- THE CANDY THAT IS NOT SWEET
- THE INFERIOR MAN
- THE MERRY BLIND-MAN
- MISUNDERSTOOD
- THE LITTLE FAT ONE
- A CHINESE BOY-GIRL
- I
- II
- PAT AND PAN
- I
- II
- III
- THE CROCODILE PAGODA
- A NOTE ABOUT THE AUTHOR
- A NOTE FROM THE PUBLISHER
Mrs. Liu bustled out to meet me and began scolding in motherly fashion.
“Oh, why you go down town before you strong enough? See! You look all sick again!” said she.
She turned to Liu Kanghi and said something in Chinese. He threw the ball back to the boy and came toward me, his face grave and concerned.
“Please be so good as to take my cousin’s advice,” he urged.
“I am well enough to work now,” I replied, “and I cannot sink deeper into your debt.”
“You need not,” said he. “I know a way by which you can quickly pay me off and earn a good living without wearing yourself out and leaving the baby all day. My cousin tells me that you can create most beautiful flowers on silk, velvet, and linen. Why not then you do some of that work for my store? I will buy all you can make.”
“Oh!” I exclaimed, “I should be only too glad to do such work! But do you really think I can earn a living in that way?”
“You certainly can,” was his reply. “I am requiring an embroiderer, and if you will do the work for me I will try to pay you what it is worth.”
So I gladly gave up my quest for office work. I lived in the Liu Jusong house and worked for Liu Kanghi. The days, weeks, and months passed peacefully and happily. Artistic needlework had always been my favorite occupation, and when it became a source both of remuneration and pleasure, I began to feel that life was worth living, after all. I watched with complacency my child grow amongst the little Chinese children. My life’s experience had taught me that the virtues do not all belong to the whites. I was interested in all that concerned the Liu household, became acquainted with all their friends, and lost altogether the prejudice against the foreigner in which I had been reared.
I had been living thus more than a year when, one afternoon as I was walking home from Liu Kanghi’s store on Kearney Street, a parcel of silks and floss under my arm, and my little girl trudging by my side, I came face to face with James Carson.
“Well, now,” said he, planting himself in front of me, “you are looking pretty well. How are you making out?”
I caught up my child and pushed past him without a word. When I reached the Liu house I was trembling in every limb, so great was my dislike and fear of the man who had been my husband.
About a week later a letter came to the house addressed to me. It read:
204 BUCHANAN STREET
DEAR MINNIE,
If you are willing to forget the past and make up, I am, too. I was surprised to see you the other day, prettier than ever—and much more of a woman. Let me know your mind at an early date.
Your affectionate husband,