Chapters (128)
- Prologue: THE STORYTELLER
- Chapter 1
- Chapter 2
- Part One: THE “MARY SMITH” MURDERS
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Part Two: I LOVE L.A.
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Part Three: JUGGLING ACTS
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Part Four: THE BLUE SUBURBAN
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Part Five: END OF STORY
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Chapter 105
- Chapter 106
- Chapter 107
- Chapter 108
- Chapter 109
- Chapter 110
- Chapter 111
- Chapter 112
- Chapter 113
- Chapter 114
- Chapter 115
- Chapter 116
- Chapter 117
- Chapter 118
- Chapter 119
- Chapter 120
- Chapter 121
- About the Author
But the Storyteller wasn’t seen—at least he didn’t think so—and he didn’t see anyone he knew.
Now, the theater had more than a hundred viewers, or rather, suspects, right? At least a dozen of them were perfect for his purposes.
Most important—his gun had a silencer now. Something he’d learned from the thrill-packed run-through in New York City.
Patrice sat in the balcony. Works for me, Patsy, he thought. You’re being way too thoughtful, especially for you, you überbitch.
He was watching her from across the aisle and a few rows behind. This was so delicious—he wanted the luxurious anticipation of revenge to go on and on. Except that he also wanted to pull the trigger and get the hell out of the Westwood theater before something went wrong. But what could go wrong, right?
When Joaquin Phoenix got stabbed by Adrien Brody, he calmly rose from his seat and went directly to Patrice’s aisle. He never hesitated for an instant.
“Excuse me. Sorry,” he said, and started to make his way past her, actually over her bare, skinny legs, which weren’t very impressive for such an important woman in Hollywood.
“Jesus Christ, will you watch it,” she complained, which was just like her, so unnecessarily nasty and imperial-sounding.
“Not exactly who you can expect to see next. Not Jesus,” he quipped, and wondered if Patrice got his little joke. Probably not. Studio heads didn’t get subtlety.
He shot her twice—once in the heart and once right between her totally shocked, blown-away eyes. There was no such thing as too dead when it came to this kind of power-mad psycho. Patrice could probably come back at you from the grave, like that reverse trapdoor ending in the original Carrie, Stephen King’s first story to reach the silver screen.
Then he made his perfect escape.
Just like in the movies, hey.
The story had begun.
Part One: THE “MARY SMITH” MURDERS
Part One
THE “MARY SMITH” MURDERS
Chapter 3
Chapter 3
From: Mary Smith
Arnold Griner squeezed his small, squinty eyes shut, put his hands over his practically hairless skull, and scrubbed his scalp hard. Oh, God save me, not another one, he was thinking. Life is too short for this shit. I can’t take it. I really can’t take this Mary Smith deal.
The L.A. Times newsroom buzzed around him as if it were any other morning: phones jangling; people coming and going like indoor race walkers; someone nearby pontificating about the new fall TV lineup—as if anybody cared about the TV lineup these days.
How could Griner feel so vulnerable sitting at his own desk, in his cubicle office, in the middle of all this? But he did.