Chapters (128)
- Prologue: THE STORYTELLER
- Chapter 1
- Chapter 2
- Part One: THE “MARY SMITH” MURDERS
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Part Two: I LOVE L.A.
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Part Three: JUGGLING ACTS
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Part Four: THE BLUE SUBURBAN
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Chapter 90
- Chapter 91
- Chapter 92
- Chapter 93
- Chapter 94
- Chapter 95
- Chapter 96
- Chapter 97
- Chapter 98
- Part Five: END OF STORY
- Chapter 99
- Chapter 100
- Chapter 101
- Chapter 102
- Chapter 103
- Chapter 104
- Chapter 105
- Chapter 106
- Chapter 107
- Chapter 108
- Chapter 109
- Chapter 110
- Chapter 111
- Chapter 112
- Chapter 113
- Chapter 114
- Chapter 115
- Chapter 116
- Chapter 117
- Chapter 118
- Chapter 119
- Chapter 120
- Chapter 121
- About the Author
But—and the but was important—why had that fact been so far from my mind in Van Allsburg’s office? What were these blinders I wore, and how did I keep forgetting I had them on? What kind of dramatic wake-up call did I need before I got the message?
On the way to the airport I figured out another piece. It just hit me. The A’s and B’s on the children’s stickers at the crime scenes. I knew what the letters meant. Mary’s imaginary children’s names—Ashley, Adam, Brendan. Two A’s and a B.
I phoned it in on my way out of L.A.
Part Five: END OF STORY
Part Five
END OF STORY
Chapter 99
Chapter 99
THE STORYTELLER WAS DONE KILLING. Fini. It was over, and no one would ever know the whole truth about what had happened. End of story.
So he threw himself a party with some of his best buddies from Beverly Hills.
He told them he’d just gotten a gig writing a screenplay for an A-list director, a big, dopey thriller based on a dopey bestseller. He’d been given license to change anything he didn’t like, but that was all he could say about it right now. The director was paranoid—so what’s new? But a big party was definitely in order.
His friends thought they understood what was going down, which gave him some idea how little they knew him. His best friends in the world—and hell, none of them knew him at all. None of them suspected he could be a killer. How fricking unbelievably crazy was that? No one knew him.
The party was at the Snake Pit Ale House, a bar on Melrose where they’d held a fantasy football league during his early days in L.A., soon after he’d arrived from Brown University to act, and maybe dabble at writing scripts—serious, worthy stuff, not box-office crap.
“The order of the night is free beer,” he said as each of his buds arrived at the bar, “and wine for the wussies among you. So I guess it’s vino all around?”
Nobody drank wine, not one of the fourteen pals who came to the bash. They were all glad to see him out and about, and also about his new gig—though some of the more honest ones admitted they were jealous. Everybody started calling him “A-list.”