Back Man Down
Chapters (60)
  1. Cover
  2. About the Author
  3. Other books by James Goodhand
  4. Dedication
  5. Four’s a Crowd
  6. That Friday Feeling
  7. Work
  8. Customer Service
  9. Starting Over
  10. Sweet Seventeen
  11. Burn, Baby, Burn
  12. A Turn
  13. Go-Between
  14. Joyride
  15. In
  16. Not a Date
  17. Taken Down
  18. Killing Time
  19. Reality
  20. The Long Wait
  21. The Other Side
  22. Dropping In
  23. In the Dark
  24. Blind Alley
  25. Showtime
  26. Straight Through
  27. What Develops
  28. Last Lesson
  29. House of Horrors
  30. Room with a View
  31. Party’s Over
  32. At Sea
  33. Fireworks
  34. The Turning of Tables
  35. Home Time
  36. Our Little Chats
  37. Out of the Blue?
  38. No Capes
  39. Holding On
  40. Salvage
  41. The End
  42. On a Promise
  43. Disco Inferno
  44. Lockdown
  45. Will Parks’ Big Moment
  46. The Calm
  47. Last Request
  48. The Storm
  49. All Change
  50. A Narrow Escape
  51. An Inconvenient Delay
  52. No More Fighting
  53. Level Crossing
  54. The Beginning
  55. Acknowledgements
  56. Resources
  57. Read more
  58. Read more
  59. 5.11 a.m.
  60. THIS IS JUST THE BEGINNING

‘Not there!’ April shouts out, strutting over to the double doors into the quad.

On either side of the stage, a stack of PA speakers has appeared. A guy in an Ebbswick Sound & Light T-shirt wires them. It feels unreal to Will that in six hours this hall will be packed out with close on a thousand kids. And, at some point during the evening, he’ll be DJing for them. Sure, there’s other people sharing the gig, but he’s doing the proper nineties rave stuff, mixed live on vinyl – the music the whole event’s been built around. He watches as a bass bin the size of a water butt is extracted from its flight case. And it’s going to be loud. Very loud indeed.

‘Thanks,’ Will says to the guy, ‘for, you know, offering to support this.’

The man grabs a reel of cable off his shoulder. ‘Don’t thank me. Management’s decision. Something for the community. I’m just the lackey.’

‘It’s good of you, whatever. This is awesome kit.’

‘This old shite? Hardly. They ain’t lending you the good stuff for free.’

‘Bet it sounds good, though.’

‘Oh, it’ll sound OK. Too old to be rented out, mind. They’ll probably bin the lot when you’re done with it.’ He points at a red sticker on the amplifier he’s wiring. ‘See?’

Portable Appliance Test: Fail, it says. Do Not Use.

‘And that was, what –’ he studies the label up close – ‘four years ago?’

‘Works OK, though?’ Will asks.

‘Tried it all out this morning. Half of it’s been in the back of a shipping container since fuck knows when, see.’

Will looks across the hall at April, running around, getting everything just so. ‘It’s not gonna pack up halfway through the night, is it? Be a total disaster if it does.’

‘It’ll be fine. These tests are fussy. Nanny state, innit? Besides, size of this system, if anything packs up, just turn the stuff that still works up a bit. Be sweet.’ He thumps a heavy palm on the speaker cab. ‘Vintage!’

The word puts Will instantly at ease.

‘It really is starting to look like a festival,’ Kris Tring says, taking a break from fiddling with his backdrop. He sits with his legs over the front of the stage. ‘I had my reservations, I must admit.’

‘She’s incredible.’

‘Bless.’

‘I mean she’s done an incredible job.’

‘Just need a massive bag of pills to sell the kiddies and we’ll have completed the effect.’

Will laughs vaguely, his eyes not leaving April as she stands on a chair, directing various caterers outside in the quad.

‘Shame Alfie isn’t around. He’d serve up to a bunch of twelve-year-olds without a second thought.’

Will spins round. ‘What are you saying?’

‘Drug dealer, wasn’t he?’ Kris’s assured demeanour looks shaken.