Chapters (34)
- Cover
- Dedication
- Epigraph
- WELCOME TO THE LILY PAD,or A Brief Introduction to Power Jam
- FULL CELIA GILBERT,or the Tragic Fate of My Tennis Racket
- THE CREATION OF THE CHORE WHEEL,or Why You Should Always Travel with a Hammer
- GO, SOUL CRUSHERS,or My Mother’s Take on Power Jam
- A PARTY,or Why I Don’t Eat Tuna in Front of Touchstone
- The Story of Ros, Part I
- A TRIP TO THE TOWN,or the Victor of the Great Flamingo Debate
- TAKING MEASUREMENTS,or the Tale of Oliver Teller’s Sprained Wrist
- THE LAST SUPPER,or the Structural Unsoundness of Veggie Burgers
- The Story of Ros, Part II
- VOYAGE TO THE TOGSHOP,or a Brief History of the Doublet
- LOVE SONG FOR A COPEPOD,or My Mom’s Take on My Tennis Coach
- The Story of Ros, Part III
- AVIAN DEMISE,or Bruised Tailbones and Lost Sunglasses
- NEEDLE AND BONE,or On Losing My Voice
- The Story of Ros, Part IV
- FRYING AN EGG,or a Compendium of Shirtless Blade Scenes
- The Story of Ros, Part V
- THE DROPPED ACORN REVISITED,or French Words That Start with W
- MASTER CLASS: THE BODY IN MOTION
- THE TRIUMVIRATE REUNITED,or Planning a Party
- DINNER THEATER,or a Crash Course in Limes
- EIGHTEEN COURT LANE,or Dog Therapy
- The Story of Ros, Part VI
- RETURN TO THE LILY PAD,or the Hilarity of a Bologna Sandwich
- THE YETI COSTUME,or Power Jam, Season Three
- JUMPING IN,or On Waiting for Guys
- A CHANCE ENCOUNTER,or Lessons I Have Learned
- ACKNOWLEDGMENTS
- Discover More
- About the Author
I tried hard not to laugh. Really, I did. We’d already gotten off on the wrong foot and then kept walking on it for a while, but in spite of all of that he actually did seem sort of nice, sort of normal, almost, and the last thing I needed was to upset the delicate, tenuous balance that existed between us—
But I just couldn’t help it. I collapsed into a fit of giggles.
“I’m sorry,” I said.
“That’s okay,” he said miserably.
“You’re not the yeti! You’re not.”
“Oh, I am,” he said. “It is funny. You know, originally, I wanted to play a different kind of role this summer. I’m always the villain. I wanted to prove I could do something other than brood and punch people, and then instead I do this favor for my agent, and I get cast as a literal monster. I don’t even have any lines. At least not in English…”
I was laughing harder. “Stop.”
“It’s true,” he said, and he chuckled a little bit, too, surprised at himself. “Like, it’s a big part, I’m onstage the whole time, but everything written in the play is either like, ook, or a grunt.…”
I wiped a tear from the corner of my eye.
“And the director keeps telling me I have to find my ‘inner beast.’ She’s said it now like six times.…”
I was totally gone now, the world a watery blur, and much to my surprise and delight, Oliver was laughing right along with me. His laugh was different than it was on TV—on the show, he had kind of a villainous huh-HA, a laugh that always sounded like a victory lap, like he’d won something and was rubbing your face in it. Now, though, he was just straight-up giggling—the sound was so goofy, so bouncing, and it made me think of curlicues and ringlets, twisty rainbow lollipops, bags of shoestring licorice I used to drool over at the farmers’ market. This laugh—his actual laugh—suited him so much better.
There was a horrible yell at the door that startled me back to myself. Jacques the cat had emerged from his Cave of Melancholy, no doubt disturbed by all the levity, and was now sitting a few feet from us, screaming at us in disapproval. His teeth seemed sharper than they had at the start of the week.
“Who’s this?” Oliver asked.
“Don’t touch him—he’ll bite your face off—”
But Oliver was already crouched on the ground with an extended fist, clicking his tongue softly at Jacques. My hands flew to my face; I saw the headlines take shape in my mind’s eye—YOUNG STAR MEETS TRAGIC DEATH AT THE CLAWS OF JOY-HATING FELINE; COSTUME APPRENTICE BARELY ESCAPES WITH HER LIFE—but a strange thing happened: Jacques actually rubbed his head against Oliver’s fist.