Chapters (34)
- Cover
- Dedication
- Epigraph
- WELCOME TO THE LILY PAD,or A Brief Introduction to Power Jam
- FULL CELIA GILBERT,or the Tragic Fate of My Tennis Racket
- THE CREATION OF THE CHORE WHEEL,or Why You Should Always Travel with a Hammer
- GO, SOUL CRUSHERS,or My Mother’s Take on Power Jam
- A PARTY,or Why I Don’t Eat Tuna in Front of Touchstone
- The Story of Ros, Part I
- A TRIP TO THE TOWN,or the Victor of the Great Flamingo Debate
- TAKING MEASUREMENTS,or the Tale of Oliver Teller’s Sprained Wrist
- THE LAST SUPPER,or the Structural Unsoundness of Veggie Burgers
- The Story of Ros, Part II
- VOYAGE TO THE TOGSHOP,or a Brief History of the Doublet
- LOVE SONG FOR A COPEPOD,or My Mom’s Take on My Tennis Coach
- The Story of Ros, Part III
- AVIAN DEMISE,or Bruised Tailbones and Lost Sunglasses
- NEEDLE AND BONE,or On Losing My Voice
- The Story of Ros, Part IV
- FRYING AN EGG,or a Compendium of Shirtless Blade Scenes
- The Story of Ros, Part V
- THE DROPPED ACORN REVISITED,or French Words That Start with W
- MASTER CLASS: THE BODY IN MOTION
- THE TRIUMVIRATE REUNITED,or Planning a Party
- DINNER THEATER,or a Crash Course in Limes
- EIGHTEEN COURT LANE,or Dog Therapy
- The Story of Ros, Part VI
- RETURN TO THE LILY PAD,or the Hilarity of a Bologna Sandwich
- THE YETI COSTUME,or Power Jam, Season Three
- JUMPING IN,or On Waiting for Guys
- A CHANCE ENCOUNTER,or Lessons I Have Learned
- ACKNOWLEDGMENTS
- Discover More
- About the Author
We finished just in time.
Phoebe was literally sewing the bird’s nest onto Oliver’s shoulder in the final moments before he stepped onstage; I was trimming yarn from his feet so he wouldn’t trip all over himself. They performed in the outdoor amphitheater, and Oliver couldn’t have looked more perfect for the spot, as if he’d emerged directly from the woods. Oliver was right—the show worked better as a comedy than as a tragedy—though the Lovesick Falls Gazette praised Oliver for his performance and for bringing “surprising pathos” to the role of the yeti. Benna Bloom and third-year-intern Phoebe Zhao’s “showstopper costume” was also noted in the review, citing its “zany creative flair” and its “silly elegance.” My parents came to see the show, too, as well as the Young People’s Showcase, and they were “blown away” by the costumes Phoebe and I had managed to build. The yeti costume was a lot to maintain—I had to hunt in the woods for brambles nearly every day before the show—but it was worth it to help make Phoebe’s vision come true.
The Young Company’s Showcase was a success, as well: The actors had put together a series of original shorts, and Touchstone performed in Audrey’s clown piece, wearing a red nose and big frown. He was sidesplittingly funny, though not without his own touching moments.
At both shows, I saw Ros. At Touchstone’s show I was seated about six rows behind them and Jess, close enough that I could pick their laughter out of the crowd’s. At Snow Walker, I saw their face, watched them from my post in the wings. The whole show, they held a bouquet of paper-wrapped flowers in their lap. Both times, I entertained the idea of talking to them, breaking the ice between us, but something in me couldn’t quite manage it. When the lights came up, I bolted, disappeared down a backstage rabbit hole where I knew they wouldn’t be able to follow.
And there was still the matter of the Lily Pad.
After our phone conversation, Henry had arranged for some “guys” to come check out the house. These guys that Henry had sent had already been once to assess the damage of the window. On that trip, they’d properly fitted a plastic sheet over the wound. Though I understood it was impractical—I had chased a bird out with a broom and once saw a possum lurking altogether too close—I missed the sailcloth. It rippled in the breeze, whereas this stretched yellow, the skin over a blister.