Back Lightning in a Mirror
Chapters (62)
  1. Cover
  2. TITLES BY JAYNE ANN KRENTZ
  3. Dedication
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. CHAPTER 48
  53. CHAPTER 49
  54. CHAPTER 50
  55. CHAPTER 51
  56. CHAPTER 52
  57. CHAPTER 53
  58. CHAPTER 54
  59. CHAPTER 55
  60. AUTHOR’S NOTE
  61. ABOUT THE AUTHOR
  62. What’s next onyour reading list?

“But there was no security a year ago.”

“It wasn’t needed.” Olivia shook her head. “For what it’s worth, I really don’t think my grandmother’s pictures were stolen—there was no sign of a break-in.”

“You’re an investigator. Got any theories?”

“I do, as a matter of fact.” Olivia took a deep breath and exhaled slowly. “I’m almost certain my mother took them out of the closet before her death.”

“What do you think she did with them?”

“I have no idea. I can’t imagine she would have sold them. She viewed those paintings as an inheritance to be protected.”

The waiter returned to the table with a large tray.

“Going to need to make some room,” he announced.

Harlan quickly retrieved his phone. The waiter set a dainty Nicoise salad in front of Olivia. He arranged the large bowl of cioppino, a small mountain of pasta and a pile of fritters on Harlan’s side of the table.

So much for the small-servings theory.

“I’ll get some more bread,” the waiter said.

He vanished.

Olivia leaned forward a little, her eyes fierce. “Where’s the original of that painting you just showed me?”

Harlan picked up a fork and went to work on the pasta. “In a safe place.”

“Where, damn it?”

“I found it in the vault at the offices of the Agency for the Investigation of Atypical Phenomena in DC. Relax. The agency is in a forgotten underground bunker that was built during World War Two and never used. It isn’t identified on any of the old blueprints. Trust me, no one knows where it is except Arganbright, Pine and me. There is one other picture, however.”

“Where’s the other one?”

“In Arganbright’s office,” Harlan said.

Olivia tightened her grip on her wineglass. “He never told me about it. That picture belongs to me.”

“Don’t blame Arganbright,” Harlan said around a mouthful of pasta. “He didn’t know the painting had any connection to you, not until I showed him this photo and told him I was certain your grandmother painted both of them.”

“How did you come to that conclusion?”

“My father and grandfather kept a set of private files, most of which were related to Vortex.” Harlan paused. “I . . . inherited them.”

“Inherited them?”

“ ‘Found them’ would be more accurate. In the vault in that bunker I just told you about.”

“These files were assembled and maintained by Crocker and Stenson Rancourt?” Olivia said, astonishment in her eyes.

“Yes.”

“Don’t they belong to the Foundation?”

“Technically. My official title is director of the Agency for the Investigation of Atypical Phenomena.”

“Victor did mention that when he asked me to cooperate with you,” Olivia said. She smiled a very cool smile. “But that’s not quite the same thing as being in charge of the Foundation, is it?”

“Close enough.”