Chapters (62)
- Cover
- TITLES BY JAYNE ANN KRENTZ
- Dedication
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- AUTHOR’S NOTE
- ABOUT THE AUTHOR
- What’s next onyour reading list?
“But there was no security a year ago.”
“It wasn’t needed.” Olivia shook her head. “For what it’s worth, I really don’t think my grandmother’s pictures were stolen—there was no sign of a break-in.”
“You’re an investigator. Got any theories?”
“I do, as a matter of fact.” Olivia took a deep breath and exhaled slowly. “I’m almost certain my mother took them out of the closet before her death.”
“What do you think she did with them?”
“I have no idea. I can’t imagine she would have sold them. She viewed those paintings as an inheritance to be protected.”
The waiter returned to the table with a large tray.
“Going to need to make some room,” he announced.
Harlan quickly retrieved his phone. The waiter set a dainty Nicoise salad in front of Olivia. He arranged the large bowl of cioppino, a small mountain of pasta and a pile of fritters on Harlan’s side of the table.
So much for the small-servings theory.
“I’ll get some more bread,” the waiter said.
He vanished.
Olivia leaned forward a little, her eyes fierce. “Where’s the original of that painting you just showed me?”
Harlan picked up a fork and went to work on the pasta. “In a safe place.”
“Where, damn it?”
“I found it in the vault at the offices of the Agency for the Investigation of Atypical Phenomena in DC. Relax. The agency is in a forgotten underground bunker that was built during World War Two and never used. It isn’t identified on any of the old blueprints. Trust me, no one knows where it is except Arganbright, Pine and me. There is one other picture, however.”
“Where’s the other one?”
“In Arganbright’s office,” Harlan said.
Olivia tightened her grip on her wineglass. “He never told me about it. That picture belongs to me.”
“Don’t blame Arganbright,” Harlan said around a mouthful of pasta. “He didn’t know the painting had any connection to you, not until I showed him this photo and told him I was certain your grandmother painted both of them.”
“How did you come to that conclusion?”
“My father and grandfather kept a set of private files, most of which were related to Vortex.” Harlan paused. “I . . . inherited them.”
“Inherited them?”
“ ‘Found them’ would be more accurate. In the vault in that bunker I just told you about.”
“These files were assembled and maintained by Crocker and Stenson Rancourt?” Olivia said, astonishment in her eyes.
“Yes.”
“Don’t they belong to the Foundation?”
“Technically. My official title is director of the Agency for the Investigation of Atypical Phenomena.”
“Victor did mention that when he asked me to cooperate with you,” Olivia said. She smiled a very cool smile. “But that’s not quite the same thing as being in charge of the Foundation, is it?”
“Close enough.”