Chapters (35)
- Cover
- BERNARDINE EVARISTO
- LARA
- Dedication
- LARA DA COSTA FAMILY TREE
- Epigraph
- INDEX OF FIRST LINES
- PART ONE
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- PART TWO
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- EPILOGUE
- GLOSSARY
- ACKNOWLEDGEMENTS
- About the Author
- Copyright
| Acaraje | Fried bean cake | |
| Adiré | Blue patterned cloth | |
| Africanos livres | Free Africans | |
| Agbada | Traditional Yoruba gown (male) | |
| Aguda | Freed Brazilian slave in Nigeria | |
| Seanathair | grandfather | |
| Baba | Father, term of respect for an elder | |
| Babalao | High priest of Candomblé | |
| Bandeirante | Members of early mission to open up interior of Brazil. They often waged war with the quilombos | |
| Berimbau | Stringed musical instrument | |
| Bloco | Large carnival drumming group | |
| Bonita | Pretty | |
| Branco | White | |
| Buba | Female blouse | |
| Cabo Sile | Hail the King | |
| Cachaça | Sugar cane rum | |
| Candomblé | Afro-Brazilian religion | |
| Cruzeiro | Brazilian currency | |
| Daidí | Daddy | |
| Dodo | Plantain | |
| Egun | Spirits of the dead who participate in Voudon rites | |
| Eleggua | God of the Crossroads | |
| Escravos | Slaves | |
| Favela | Shanty town, slum | |
| Fazenda | Large plantation | |
| Fuji | Modern type of Nigerian music | |
| Gelé | Yoruba headti | |
| Homens | Men | |
| Iro | Mother | |
| Juju | Magic, supernatural powers | |
| Omole | Drums (tom-tom) | |
| Ogun | God of Warriors (and iron tools/weapons) | |
| Orixas | Yoruba gods | |
| Oxala | Lord of Creation, greatest of the orixas | |
| Oxumare | Hermaphrodite God of the Rainbow | |
| Mamaí | mummy | |
| Mamó | grandmother | |
| Moreno | Skin tone between black and white | |
| Muitos | Many | |
| Nunca | Never | |
| Quilombo | Organised community of escaped Africans who lived independently of slavery, usually in the hills. The largest was Palmares which numbered 30,000 people | |
| Sarara | Freckled mulatto with blue/green eyes | |
| Sasanach | Englishman | |
| Talibi | Yoruba name for a child who is born with head and body covered with a caul | |
| Xango | God of Thunder and Lightning |
ACKNOWLEDGEMENTS
Special thanks are due to Neil Astley, my editor at Bloodaxe Books, for his prodigious commitment to poetry and to this book. To my early reader, the poet Kwame Dawes, who gave important feedback on an earlier incarnation of this book; and to my later reader and husband David, for spending hours going over this manuscript with his blue pen when he could have been watching The Sopranos instead.
About the Author
Bernardine Evaristo was born and raised in London, where she still lives. She is one of eight children born to Nigerian and English parents. Her writing is characterised by experimentation, daring, subversion and challenging the myths of various Afrodiasporic histories and identities. Her work ranges in genre from poetry, verse novel, novel-with-verse, novella, short stories, prose novel, radio and theatre drama, and literary essays and criticism.
Her books include: Mr Loverman (Hamish Hamilton/Penguin, 2013), about a 74-year-old Caribbean London man who is closet homosexual; Hello Mum (Penguin, 2010), an epistolary novella about gang culture; Lara, an earlier version of which was published by Angela Royal in 1997, and which Evaristo rewrote and expanded by a third for its new edition (2009) from Bloodaxe Books; Blonde Roots (Penguin, 2008), her first prose novel, featuring an alternate universe in which Africans enslave Europeans; Soul Tourists (Penguin, 2005), a novel-with-verse, which features ghosts of colour from European history including Pushkin, Shakespeare’s ‘Dark Lady of the Sonnets’ and Alessandro dei Medici; and The Emperor’s Babe (Penguin, 2001), a verse novel about a black girl growing up in Roman London nearly 2000 years ago.