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Chapters (35)
  1. Cover
  2. BERNARDINE EVARISTO
  3. LARA
  4. Dedication
  5. LARA DA COSTA FAMILY TREE
  6. Epigraph
  7. INDEX OF FIRST LINES
  8. PART ONE
  9. PROLOGUE
  10. CHAPTER 1
  11. CHAPTER 2
  12. CHAPTER 3
  13. CHAPTER 4
  14. CHAPTER 5
  15. CHAPTER 6
  16. CHAPTER 7
  17. CHAPTER 8
  18. CHAPTER 9
  19. PART TWO
  20. CHAPTER 10
  21. CHAPTER 11
  22. CHAPTER 12
  23. CHAPTER 13
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. CHAPTER 18
  29. CHAPTER 19
  30. CHAPTER 20
  31. EPILOGUE
  32. GLOSSARY
  33. ACKNOWLEDGEMENTS
  34. About the Author
  35. Copyright

‘A hungry gerbil up your hairy arse!’ I muster. He snaps,

‘Oh do grow up, Lara. Welcome to the real world.’

FURY rode me. A wild buckjumper.

I scalped myself, sacked Josh, speared my nose,

my little Afro ears coiled a C of silver earrings,

I barricaded myself into an army surplus trenchcoat

and fronted a permanent Desperate Dan scowl.

Nuggets of disease erupted on my surface, squidgy

pus-filled hillocks splattered my bathroom mirror.

I denounced my patriarchal father, deconstructed

my childhood, regurgitated appropriated ideas

like closing time vomit. I flirted with Sensi, swooped

on trendy markets for cowries, batiks and sculpture,

I was a walking irradiated automated diatribe, saw

the rapist in every homme, worms in every phallus,

the bigot in all whites, the victim in every black

woman. London was my war zone. I sautéed

my speech with expletives, detonated explosives

under the custard arses of those who dared detour

from my arty political dictates. I divorced my honky

mother, rubbished the globe for its self-destruct sins

and then flung open the Hammer House gates

of my Rocky Horror Hades

and tossed the key.

ABLAZE with the sharp and the syrup, yeh.

I sozzle whisky mixed with Drambuie, neat, just

a tot, a pint, two litres, ta, topped up, topped up;

on brassic days Mr Gordon’s Dry Gin, on the rocks,

rocky, slippery, hickory, six bottles Bells

under the sofa, in the sink, in the bin, under the stairs,

a little drop ’ere, a little drop there, droppy droppy

everywhere, now, ready to paint a masterpiece, oops,

mistress-piece, yeh, I mean ten gallons whisky on a drip,

drop, hit the high spot, tick tock, 12 o’clock, havin’ a ball,

ready, steady, do a splashy-sploshy ‘ere, a splish-splash

whoopshy, ah, the bluesy woes of a sufferin’ artist.

Why did you trip me up, Me Easel? Come here now.

Groove on down with Leonard Cohen, hit the floor

with Simone, Bach, a little light Gregorian chanting,

stumble to the loo, prop up, eyes open, keep ‘em open,

or the bath’ll spin ’n’ spin, I feel like, don’t wanna feel,

wanna chuck up, eyes shut, in bed, room whirls, upside

down, downside up, wideways in, I weep, I weep, I weep,

I am an old wound, I weep, that has not healed,

shpin

shpin               and out.

shpin

I NIGHTMARE, damply scream into silence…

run backwards into childhood, down Eglinton Road,

his Pinocchio belt pursues, lassoes me; leather belted,

I am legless, my mother in the kitchen is immersed

in the swamp of depression, I skid on her tears –

all the way into the Eighties, Sainsburys, Stepford Wives

checkout, I find a bulging co-star, is he a computer

or just a print out? I sleazily X-ray his Uncle Tom, ding,

dong, That’ll be six pounds and 69 pence, madam.

I take him home, wardrobe him in leather jock strap,

gun holder, bikers’ boots, baby oil his jet buns, play

Black Barbarella to his Kola the Cunt Controller,