Chapters (35)
- Cover
- BERNARDINE EVARISTO
- LARA
- Dedication
- LARA DA COSTA FAMILY TREE
- Epigraph
- INDEX OF FIRST LINES
- PART ONE
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- PART TWO
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- EPILOGUE
- GLOSSARY
- ACKNOWLEDGEMENTS
- About the Author
- Copyright
‘A hungry gerbil up your hairy arse!’ I muster. He snaps,
‘Oh do grow up, Lara. Welcome to the real world.’
FURY rode me. A wild buckjumper.
I scalped myself, sacked Josh, speared my nose,
my little Afro ears coiled a C of silver earrings,
I barricaded myself into an army surplus trenchcoat
and fronted a permanent Desperate Dan scowl.
Nuggets of disease erupted on my surface, squidgy
pus-filled hillocks splattered my bathroom mirror.
I denounced my patriarchal father, deconstructed
my childhood, regurgitated appropriated ideas
like closing time vomit. I flirted with Sensi, swooped
on trendy markets for cowries, batiks and sculpture,
I was a walking irradiated automated diatribe, saw
the rapist in every homme, worms in every phallus,
the bigot in all whites, the victim in every black
woman. London was my war zone. I sautéed
my speech with expletives, detonated explosives
under the custard arses of those who dared detour
from my arty political dictates. I divorced my honky
mother, rubbished the globe for its self-destruct sins
and then flung open the Hammer House gates
of my Rocky Horror Hades
and tossed the key.
ABLAZE with the sharp and the syrup, yeh.
I sozzle whisky mixed with Drambuie, neat, just
a tot, a pint, two litres, ta, topped up, topped up;
on brassic days Mr Gordon’s Dry Gin, on the rocks,
rocky, slippery, hickory, six bottles Bells
under the sofa, in the sink, in the bin, under the stairs,
a little drop ’ere, a little drop there, droppy droppy
everywhere, now, ready to paint a masterpiece, oops,
mistress-piece, yeh, I mean ten gallons whisky on a drip,
drop, hit the high spot, tick tock, 12 o’clock, havin’ a ball,
ready, steady, do a splashy-sploshy ‘ere, a splish-splash
whoopshy, ah, the bluesy woes of a sufferin’ artist.
Why did you trip me up, Me Easel? Come here now.
Groove on down with Leonard Cohen, hit the floor
with Simone, Bach, a little light Gregorian chanting,
stumble to the loo, prop up, eyes open, keep ‘em open,
or the bath’ll spin ’n’ spin, I feel like, don’t wanna feel,
wanna chuck up, eyes shut, in bed, room whirls, upside
down, downside up, wideways in, I weep, I weep, I weep,
I am an old wound, I weep, that has not healed,
shpin
shpin and out.
shpin
I NIGHTMARE, damply scream into silence…
run backwards into childhood, down Eglinton Road,
his Pinocchio belt pursues, lassoes me; leather belted,
I am legless, my mother in the kitchen is immersed
in the swamp of depression, I skid on her tears –
all the way into the Eighties, Sainsburys, Stepford Wives
checkout, I find a bulging co-star, is he a computer
or just a print out? I sleazily X-ray his Uncle Tom, ding,
dong, That’ll be six pounds and 69 pence, madam.
I take him home, wardrobe him in leather jock strap,
gun holder, bikers’ boots, baby oil his jet buns, play
Black Barbarella to his Kola the Cunt Controller,