Chapters (101)
- Cover
- Title Page
- Copyright
- Prologue
- Part One - Making Marriage Work
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Part Two - The Bane of Man
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Part Three - The Creation of the Wife
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Epilogue
- Dedication
- Acknowledgments
- ABOUT THE AUTHOR
- What’s next onyour reading list?
The soldier shoved his hands into his pockets. “That’s all right,” he drawled, revealing a Southern accent and a crooner’s voice.
She caught herself staring at his lips. “Well!” she said, and turned to leave him, just as the band broke into “I’m Getting Sentimental Over You.”
“Dance with me?” he said. His “me” sounded like “may.”
She stopped, turned, took in the whole picture of him: service cap half cocked, broad shoulders, narrow belted waist, corporal’s stripes. She nodded.
“I’m not much of a dancer,” he told her, once they were out on the floor.
“You’re doing just fine,” she said, though they weren’t attempting any complicated moves at the moment.
“I reckon Sarge got tired of hearing me gripe.”
Elissa was as fluttery as a leaf; evidently, hearing the “I” sound pronounced as “ah” made her weak in the knees. Add to that the warmth of his hands—one on her waist, the other holding her hand—and the golden strains of a trombone, and she was really in trouble. “Why is that?” she said.
“Well, you were dancing with all them other boys,” he explained.
Had Muriel been next to her, Elissa would have turned to her to share a scream. As it was, she smiled, demurely, she hoped. “You don’t mean—?”
“I was watching you a mite bit,” he admitted. “Sarge is always trying to keep us boys happy. He goes overboard, at times.”
Onstage, the saxophones took over the lilting melody, and suddenly, Elissa knew she had fallen into the trap of the Babylon that Betty had warned of. It’s so magical there, why, you find yourself believing anything they tell you, and you tell them things, too, and at the time you even think you mean them! And maybe you do! I’ve heard of plenty of people who’ve met at the Babylon and gotten married! So don’t think it’s impossible for you! And these boys—they’re so lonely, most of them. So far from home. You have to be careful not to feel too sorry for them—if you know what I mean. Not right away, at least. And she’d laughed, then sighed. Of course, lots of them only want to dance, and forget about everything for a little while. You know?