Chapters (101)
- Cover
- Title Page
- Copyright
- Prologue
- Part One - Making Marriage Work
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Part Two - The Bane of Man
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Part Three - The Creation of the Wife
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Epilogue
- Dedication
- Acknowledgments
- ABOUT THE AUTHOR
- What’s next onyour reading list?
“But no one knows if the story about the curse is true,” Corinne said.
“Well, I for one wouldn’t live in that house for all the money in the world,” Judy sniffed.
“I’m sure all it needs is someone to really love it,” Dolly insisted.
“Oh, they loved it, all right,” Mrs. Fryt said. “And you can see where it got them.”
Chapter 4
THE MICKELSON HOUSE
502 W. First Street, Pine Rapids
March 1897
Wilma’s body was utterly, painfully out of her control.
Always, she had cultivated a cautious relationship with it, distrusting it, doing her utmost to keep it in check. It frequently got out of hand when she played the piano, becoming possessed by the music, swaying and moving and breathing with far too much relish and zest. A delicious feeling, in truth, but the minute she stopped playing, she would feel ashamed, and resolve not to let the music get the best of her the next time.
But now her body’s rebellion was more horrifying than ever. It had grown huge, distorted. It desired unseemly amounts of foods she had never cared for. It was too ungainly even to sleep in, and when she walked, she felt she was being pulled behind a royal entity with a will of its own. Each day when the maid Terese laced Wilma into her dreadful “maternity corset,” a complicated contraption with five separate sets of laces on the back, front, and sides, the maid was forced to lace it a little looser around Wilma’s midsection, which continued to expand without Wilma’s consent.
The worst thing about her condition was that she could hardly play the piano. She could hardly reach it! Not a decent range, anyway. This morning, in the middle of practicing her scales, she’d screamed in frustration, pounded the keys, and collapsed in tears onto the piano’s sturdy forehead, pressing her own temple there as though it were a lover with whom she was trying desperately to regain a past understanding. Terese had come to inquire, and suggested Wilma go for a walk, to clear her head. “It’s a lovely day out, ma’am, quite warm, and I’m sure you’d feel better getting some fresh air. You’ve been cooped up in the house all winter! Perhaps just a short walk around the block; mind you don’t go downtown and let folks see you in your condition.”