Chapters (101)
- Cover
- Title Page
- Copyright
- Prologue
- Part One - Making Marriage Work
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Part Two - The Bane of Man
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Part Three - The Creation of the Wife
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
- Chapter 86
- Chapter 87
- Chapter 88
- Chapter 89
- Epilogue
- Dedication
- Acknowledgments
- ABOUT THE AUTHOR
- What’s next onyour reading list?
“Mom, I brought Dad home from the hospital. He’s all right, Mom. He wants to talk to you. Is that all right, Mom?”
She plays on.
Quietly: “Come on, Mary, let’s leave them alone a minute.”
The music swells under Wilma’s hands, swells to one of its climaxes. When she notices the shoes next to her again, they have changed from Jack’s shabby loafers to John’s shiny Oxfords. Fingertips light upon her shoulder. She shrugs them off, and continues the precise movements of her hands. “Wilma,” she hears her husband say. His voice is hoarse. “I suppose I couldn’t make you understand. What it was like for me then.”
Sixteenth notes cascade from her fingers.
“Although I always loved you!”
The notes are delicate, tempered, even.
“If you could just see. How lonely I was. How much I needed—to prove I was alive. After we lost Chase.” A pause. “And you, Wilma, you were not a comfort to me!”
The main theme reasserts itself.
A loud sigh. “Wilma, would you listen?”
She focuses on the movement of her fingers.
“It might have—I don’t know, Wilma, but you remember about the curse on this house? For God’s sake, I don’t think it’s unreasonable to suppose that I—that it was that! Because God knows I never intended—!”
Her fingers trip. She shakes her head, rights them, and continues.
“You know I’d change it all if I could. You know I never meant to hurt anyone. Least of all you, Wilma.”
Having reached the lower end of a forbidding passage, she lifts her hands from the keyboard. She looks up into the watery blue eyes of her husband, and sees reflected there all those ridiculous years of guilt, grief, subversion, penitence, following the Rules! When, all along, he had been hiding a sin more grievous than her own.
A decades-old dam breaks. And she begins to laugh. She cannot stop herself.
She collapses onto the piano, burying her head in her arms. She barely hears the footsteps running into the room. Is she laughing or sobbing? Circling around her, they can’t tell. “Mom, are you all right?”
“Wilma?”
“Wilma? Wilma!”
Chapter 80
Few crises are filled with more insecurity and sense of loss in a marriage than that involved when “the other woman” or her male counterpart breaks the sense of unity so important to marital solidarity.
—When You Marry, 1948
THE MICKELSON HOUSE
502 W. First Street, Pine Rapids
Friday, August 4, 1950
“Why did you want to know so bad?” he said, lighting her cigarette. They were standing together on the landing in front of the stained-glass window.
She smoked, hands shaking. She had begun imagining strategies for burning down the little bungalow. Perhaps she could succeed where Wilma had not.