Chapters (60)
- Praise for the novels of Peter Pezzelli
- Also by
- Title Page
- Copyright Page
- Dedication
- PART ONE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- PART TWO
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- PART THREE
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- EPILOGUE
Carter let his eyes roam about the room as he walked in, his gaze taking in the bookshelves lining the walls, the musical instruments tucked all about, and of course the piano at the heart of it all. He lowered himself into the upholstered chair by the coffee table, noting while he did so the ornate globe behind the couch adjacent to the chair. Flanking the globe were two statuettes, miniatures of famous pieces of sculpture, one of which Carter thought he recognized, but only vaguely. It was of a young man with a slingshot draped over his shoulder; the other statuette was of a woman playing a harp. There were, he saw, a few other such pieces here and there on the bookshelves around the room, as well as a pair of paintings, both mountain landscapes that Carter took to be scenes of Italy. All in all, looking about at his surroundings, the room had to him the aura of a very small museum or some ancient library or perhaps the study of a philosopher from a bygone age.
“Saint Cecilia,” said Professor Rosa, nodding to the statuette of the woman playing the harp as he installed himself on the couch across from Carter. “The patron saint of music.The other of course is David.”
“I think I’ve seen that one before,” mused Carter.“But I’m not sure where.”
“I’m sure you have seen an image of it at one time or another,” said the professor with a certain air of pride in his voice as he cleared a space on the coffee table between them. Then, suddenly quite animated, speaking with fierce conviction, he went on, “Or at least I certainly hope you have. If you don’t know it already, the influence of Italy and Italians is everywhere in our world, in every field you can imagine.That statue is only one example.You name it: Art, literature, science, architecture, music, politics, religion, sports. There is nothing that Italian culture has not touched in some significant way. Forget the Sopranos and the Corleones and all those other misbegotten notions of what some people in this country have come to think of as Italians.Yes, those types of people exist, but they are aberrations, no more indicative of all Italians any more than sharks are indicative of all fish. Italians all over the world are heirs to a rich, beautiful culture that has given the world the likes of Giotto, da Vinci, Michelangelo, Dante, Boccaccio, Machiavelli, Galileo, Marconi, Fermi, Caruso, Fellini, Pavarotti, Sophia Loren.The list goes on and on and on!”
“And I thought all they gave us was pizza and pasta,” quipped Carter.
“Ha, don’t laugh,” said Rosa, wagging a finger at him. “Just think, where would this world be without Italian cooking?”
“I don’t know,” Carter chuckled. “I’m pretty much a meat-and-potatoes guy myself.”