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Chapters (60)
  1. Praise for the novels of Peter Pezzelli
  2. Also by
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. PART ONE
  7. CHAPTER 1
  8. CHAPTER 2
  9. CHAPTER 3
  10. CHAPTER 4
  11. CHAPTER 5
  12. CHAPTER 6
  13. CHAPTER 7
  14. CHAPTER 8
  15. CHAPTER 9
  16. CHAPTER 10
  17. CHAPTER 11
  18. CHAPTER 12
  19. CHAPTER 13
  20. CHAPTER 14
  21. CHAPTER 15
  22. CHAPTER 16
  23. CHAPTER 17
  24. CHAPTER 18
  25. CHAPTER 19
  26. CHAPTER 20
  27. CHAPTER 21
  28. CHAPTER 22
  29. CHAPTER 23
  30. PART TWO
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. PART THREE
  47. CHAPTER 39
  48. CHAPTER 40
  49. CHAPTER 41
  50. CHAPTER 42
  51. CHAPTER 43
  52. CHAPTER 44
  53. CHAPTER 45
  54. CHAPTER 46
  55. CHAPTER 47
  56. CHAPTER 48
  57. CHAPTER 49
  58. CHAPTER 50
  59. CHAPTER 51
  60. EPILOGUE

Carter let his eyes roam about the room as he walked in, his gaze taking in the bookshelves lining the walls, the musical instruments tucked all about, and of course the piano at the heart of it all. He lowered himself into the upholstered chair by the coffee table, noting while he did so the ornate globe behind the couch adjacent to the chair. Flanking the globe were two statuettes, miniatures of famous pieces of sculpture, one of which Carter thought he recognized, but only vaguely. It was of a young man with a slingshot draped over his shoulder; the other statuette was of a woman playing a harp. There were, he saw, a few other such pieces here and there on the bookshelves around the room, as well as a pair of paintings, both mountain landscapes that Carter took to be scenes of Italy. All in all, looking about at his surroundings, the room had to him the aura of a very small museum or some ancient library or perhaps the study of a philosopher from a bygone age.

“Saint Cecilia,” said Professor Rosa, nodding to the statuette of the woman playing the harp as he installed himself on the couch across from Carter. “The patron saint of music.The other of course is David.”

“I think I’ve seen that one before,” mused Carter.“But I’m not sure where.”

“I’m sure you have seen an image of it at one time or another,” said the professor with a certain air of pride in his voice as he cleared a space on the coffee table between them. Then, suddenly quite animated, speaking with fierce conviction, he went on, “Or at least I certainly hope you have. If you don’t know it already, the influence of Italy and Italians is everywhere in our world, in every field you can imagine.That statue is only one example.You name it: Art, literature, science, architecture, music, politics, religion, sports. There is nothing that Italian culture has not touched in some significant way. Forget the Sopranos and the Corleones and all those other misbegotten notions of what some people in this country have come to think of as Italians.Yes, those types of people exist, but they are aberrations, no more indicative of all Italians any more than sharks are indicative of all fish. Italians all over the world are heirs to a rich, beautiful culture that has given the world the likes of Giotto, da Vinci, Michelangelo, Dante, Boccaccio, Machiavelli, Galileo, Marconi, Fermi, Caruso, Fellini, Pavarotti, Sophia Loren.The list goes on and on and on!”

“And I thought all they gave us was pizza and pasta,” quipped Carter.

“Ha, don’t laugh,” said Rosa, wagging a finger at him. “Just think, where would this world be without Italian cooking?”

“I don’t know,” Carter chuckled. “I’m pretty much a meat-and-potatoes guy myself.”