Back In the Approaches Save as PDF
Contents ( 111)
  1. Copyright
  2. Contents
  3. Dedication
  4. 1
  5. Miss Carla Hahn
  6. 2
  7. Mr Franklin D. Huff
  8. 3
  9. Miss Carla Hahn
  10. 4
  11. Mr Franklin D. Huff
  12. 5
  13. Miss Carla Hahn
  14. 6
  15. Teobaldo
  16. 7
  17. Mr Franklin D. Huff
  18. 8
  19. Miss Carla Hahn
  20. 9
  21. Mr Franklin D. Huff
  22. 10
  23. Miss Carla Hahn
  24. 11
  25. Mr Clifford Bickerton
  26. 12
  27. Mr Franklin D. Huff
  28. 13
  29. Miss Carla Hahn
  30. 14
  31. Teobaldo
  32. 15
  33. Mr Franklin D. Huff
  34. 16
  35. Miss Carla Hahn
  36. 17
  37. Mr Franklin D. Huff
  38. 18
  39. Miss Carla Hahn
  40. 19
  41. Mr Franklin D. Huff
  42. 20
  43. Teobaldo
  44. 21
  45. Miss Carla Hahn
  46. 22
  47. Mr Clifford Bickerton
  48. 23
  49. Mr Franklin D. Huff
  50. 24
  51. Miss Carla Hahn
  52. 25
  53. Mr Franklin D. Huff
  54. 26
  55. Teobaldo
  56. 27
  57. Miss Carla Hahn
  58. 28
  59. Mr Franklin D. Huff
  60. 29
  61. Miss Carla Hahn
  62. 30
  63. Mr Clifford Bickerton
  64. 31
  65. Mr Franklin D. Huff
  66. 32
  67. Miss Carla Hahn
  68. 33
  69. Mr Clifford Bickerton
  70. 34
  71. Miss Carla Hahn
  72. 35
  73. Mr Franklin D. Huff
  74. 36
  75. Miss Carla Hahn
  76. 37
  77. Mr Franklin D. Huff
  78. 38
  79. Miss Carla Hahn
  80. 39
  81. Mr Clifford Bickerton
  82. 40
  83. Miss Carla Hahn
  84. 41
  85. Mr Franklin D. Huff
  86. 42
  87. Miss Carla Hahn
  88. 43
  89. Mr Franklin D. Huff
  90. 44
  91. Miss Carla Hahn
  92. 45
  93. Mr Franklin D. Huff
  94. 46
  95. Miss Alys Jane Drury (and Baldo!)
  96. 47
  97. Mr Franklin D. Huff
  98. 48
  99. Miss Carla Hahn
  100. 49
  101. Mr Franklin D. Huff
  102. 50
  103. Miss Carla Hahn
  104. 51
  105. Mr Franklin D. Huff
  106. 52
  107. Miss Carla Hahn
  108. 53
  109. Mr Franklin D. Huff
  110. Also by Nicola Barker
  111. About the Publisher

We were silent for a while (my mouth dry as the Gobi Desert) and then Miss Hahn sighed. ‘I’m dreadfully keen for you to return to Montserrat, Mr Huff …’

‘Monterrey,’ I corrected her.

‘… but the bad news is that Orla seems to have very different ideas. And for reasons which I can’t even pretend to understand …’

‘Sorry?’

I knocked a drop of sweat from the tip of my nose.

‘She doesn’t want you to leave, Mr Huff. She tried every trick in the book to stop me from returning you that rent money this afternoon.’

She paused.

‘Please, please tell me you haven’t gone and brought it back again?’

‘The envelope’s on your kitchen counter,’ I confessed. ‘Sorry about that.’

Another creak! I almost sprang to my feet, but then the urge to pursue this line of enquiry, this sudden chink in Miss Hahn’s previously steely armour (a chink aided, even abetted, I presumed, by the dizzying abundance of scalding steam) proved too much to resist.

‘When you say “Orla doesn’t want you to go,”’ I muttered, ‘are you referring to the … to what I might be given to understand is the … the ghost of Orla Nor Cleary?’

‘Heavens no!’ she exclaimed, horrified, and then, ‘Well, yes, but not … More the … the spirit, the … the essence …’ She grimaced, irritated. ‘I’m no expert in this area, Mr Huff, I can’t pretend to understand the technicalities of the thing.’

‘But then …’

(Breathe from the stomach, Franklin! That’s right. Yes. That’s better.)

‘… isn’t it possible you just …?’

Uh … How to put this politely? How to un-jumble the kaleidoscope of tumbling words inside my head? How to straighten them out into something approximating a straight line and then slowly, slowly, teeter my way along it?

‘Isn’t it possible that what you take to be a ghost,’ I finally gasped, ‘a … a … a spirit, an … an essence, as you say, is simply the expression of some … some deep-seated, unconscious desire of your own which is somehow compelling you to … uh …?’

‘Yes. I already thought of that.’ She nodded. ‘But it makes no real sense. Because I don’t want you to stay, Mr Huff. No offence intended, but at best you’re a problem to be solved, at worst you’re a threat. It’s nothing personal … well it is personal because you lied to me about your identity – you ran over my mother’s cat … Although of course that’s all water under the bridge as things currently stand.’

‘I’m not sure if you fully comprehend the meaning of the phrase “unconscious desire”,’ I still persisted (very bravely, slightly piqued). ‘And in point of fact I didn’t run over your mother’s cat—’

‘What you need to realize,’ she interrupted, ‘is that quite contrary to what you seem determined to believe, I’m not heading a passionate campaign to defend the honour – or otherwise – of Orla Nor Cleary against the cruel assaults of a secular world. This isn’t about that for me. It never was. What I’m actually doing is defending myself – and those I love. I’m maintaining a distance. I’m protecting myself from Orla.’