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Contents (111)
  1. Copyright
  2. Contents
  3. Dedication
  4. 1
  5. Miss Carla Hahn
  6. 2
  7. Mr Franklin D. Huff
  8. 3
  9. Miss Carla Hahn
  10. 4
  11. Mr Franklin D. Huff
  12. 5
  13. Miss Carla Hahn
  14. 6
  15. Teobaldo
  16. 7
  17. Mr Franklin D. Huff
  18. 8
  19. Miss Carla Hahn
  20. 9
  21. Mr Franklin D. Huff
  22. 10
  23. Miss Carla Hahn
  24. 11
  25. Mr Clifford Bickerton
  26. 12
  27. Mr Franklin D. Huff
  28. 13
  29. Miss Carla Hahn
  30. 14
  31. Teobaldo
  32. 15
  33. Mr Franklin D. Huff
  34. 16
  35. Miss Carla Hahn
  36. 17
  37. Mr Franklin D. Huff
  38. 18
  39. Miss Carla Hahn
  40. 19
  41. Mr Franklin D. Huff
  42. 20
  43. Teobaldo
  44. 21
  45. Miss Carla Hahn
  46. 22
  47. Mr Clifford Bickerton
  48. 23
  49. Mr Franklin D. Huff
  50. 24
  51. Miss Carla Hahn
  52. 25
  53. Mr Franklin D. Huff
  54. 26
  55. Teobaldo
  56. 27
  57. Miss Carla Hahn
  58. 28
  59. Mr Franklin D. Huff
  60. 29
  61. Miss Carla Hahn
  62. 30
  63. Mr Clifford Bickerton
  64. 31
  65. Mr Franklin D. Huff
  66. 32
  67. Miss Carla Hahn
  68. 33
  69. Mr Clifford Bickerton
  70. 34
  71. Miss Carla Hahn
  72. 35
  73. Mr Franklin D. Huff
  74. 36
  75. Miss Carla Hahn
  76. 37
  77. Mr Franklin D. Huff
  78. 38
  79. Miss Carla Hahn
  80. 39
  81. Mr Clifford Bickerton
  82. 40
  83. Miss Carla Hahn
  84. 41
  85. Mr Franklin D. Huff
  86. 42
  87. Miss Carla Hahn
  88. 43
  89. Mr Franklin D. Huff
  90. 44
  91. Miss Carla Hahn
  92. 45
  93. Mr Franklin D. Huff
  94. 46
  95. Miss Alys Jane Drury (and Baldo!)
  96. 47
  97. Mr Franklin D. Huff
  98. 48
  99. Miss Carla Hahn
  100. 49
  101. Mr Franklin D. Huff
  102. 50
  103. Miss Carla Hahn
  104. 51
  105. Mr Franklin D. Huff
  106. 52
  107. Miss Carla Hahn
  108. 53
  109. Mr Franklin D. Huff
  110. Also by Nicola Barker
  111. About the Publisher

Later, hanging over the toilet bowl, exhausted – I don’t want your damn money, woman! You castrating bitch! Not a penny of it! – I hear her in conversation with the rabbit. If the rabbit responds – as I’m sure that it will, that it must – its replies are tragically indecipherable (to my ears at least).

16

Miss Carla Hahn

I had one of my special dreams – could you call it a nightmare? – one of my special, terrible, Orla dreams. It’s been a while now since I’ve dreamed about her. Was it the smell of eucalyptus that set it off? Did it awaken something hidden – suspended – deep within my synapses?

I was at Mulberry Cottage – in my dream – and I was in the garden gathering the fallen leaves from the old tree (the long defunct old mulberry tree). I was raking them up, anxiously. And there was fruit, too. A host of fat, purple berries. They were dropping from the branches overhead. Soft, ripe fruit. And as I gathered the berries up and crammed them into the pockets of my coat, I noticed that my hands were stained – all red. From the juices. And I felt an encroaching sense of panic – a strong resistance. An urge to hide, to flee. Then the fruit started to fall more heavily, like hail. It hit me, like hail. And it left red welts where it landed, but I couldn’t tell – wasn’t certain – whether they were real wounds or just remnants of pulp. It didn’t hurt. There was no pain.

I blinked, in the dream, and I was transported inside the cottage. I was still gathering leaves, on my knees, from the floorboards, but these were eucalyptus leaves, and I was fearful, because I remembered that I am allergic to these leaves, that my hands would blister if they made contact. And so I looked down at my hands. I held out my hands – which only seconds ago had been a vicious shade of puce – and they were clean; healed! A pure, milky white!

Then Orla spoke to me. Orla was there. She was among the leaves. She is the leaves.

‘Gather them up for me, Carla,’ she whispers, her voice just a gentle rustling. ‘Don’t be scared. Gather them up for me, please.’

And she held out her little arms. ‘It is time, meine Carla,’ she says.

‘Watch out for the mulberries!’ I warn her. Because although I’m inside, I’m still afraid of the mulberries, and I can’t be certain they won’t harm her. And I’m right to be afraid, because her skin is suddenly marked by a series of crimson spots – like she’s been peppered by shotgun pellets. But she is still holding out her arms. Her tiny arms. And I can’t lift myself from my knees, I can’t help her. There is nothing I can do to help her. But I can gather up the leaves for her. So I start gathering them together, crying, helplessly, my face a mess of tears and snot. And the more I gather them the more there are. And every time I clear a section, a gust of wind hits the little pile I’ve amassed and sends them flying. I am muttering something under my breath: 4004. Four thousand and four what? Leaves? Yes. 4004. I am counting the leaves; one, two, three, four … Counting the leaves, anxiously. And I need to reach the total, very precise number. 4004. I am muttering it obsessively: ‘4004. Orla’s number.’