Back In the Approaches Save as PDF
Contents ( 111)
  1. Copyright
  2. Contents
  3. Dedication
  4. 1
  5. Miss Carla Hahn
  6. 2
  7. Mr Franklin D. Huff
  8. 3
  9. Miss Carla Hahn
  10. 4
  11. Mr Franklin D. Huff
  12. 5
  13. Miss Carla Hahn
  14. 6
  15. Teobaldo
  16. 7
  17. Mr Franklin D. Huff
  18. 8
  19. Miss Carla Hahn
  20. 9
  21. Mr Franklin D. Huff
  22. 10
  23. Miss Carla Hahn
  24. 11
  25. Mr Clifford Bickerton
  26. 12
  27. Mr Franklin D. Huff
  28. 13
  29. Miss Carla Hahn
  30. 14
  31. Teobaldo
  32. 15
  33. Mr Franklin D. Huff
  34. 16
  35. Miss Carla Hahn
  36. 17
  37. Mr Franklin D. Huff
  38. 18
  39. Miss Carla Hahn
  40. 19
  41. Mr Franklin D. Huff
  42. 20
  43. Teobaldo
  44. 21
  45. Miss Carla Hahn
  46. 22
  47. Mr Clifford Bickerton
  48. 23
  49. Mr Franklin D. Huff
  50. 24
  51. Miss Carla Hahn
  52. 25
  53. Mr Franklin D. Huff
  54. 26
  55. Teobaldo
  56. 27
  57. Miss Carla Hahn
  58. 28
  59. Mr Franklin D. Huff
  60. 29
  61. Miss Carla Hahn
  62. 30
  63. Mr Clifford Bickerton
  64. 31
  65. Mr Franklin D. Huff
  66. 32
  67. Miss Carla Hahn
  68. 33
  69. Mr Clifford Bickerton
  70. 34
  71. Miss Carla Hahn
  72. 35
  73. Mr Franklin D. Huff
  74. 36
  75. Miss Carla Hahn
  76. 37
  77. Mr Franklin D. Huff
  78. 38
  79. Miss Carla Hahn
  80. 39
  81. Mr Clifford Bickerton
  82. 40
  83. Miss Carla Hahn
  84. 41
  85. Mr Franklin D. Huff
  86. 42
  87. Miss Carla Hahn
  88. 43
  89. Mr Franklin D. Huff
  90. 44
  91. Miss Carla Hahn
  92. 45
  93. Mr Franklin D. Huff
  94. 46
  95. Miss Alys Jane Drury (and Baldo!)
  96. 47
  97. Mr Franklin D. Huff
  98. 48
  99. Miss Carla Hahn
  100. 49
  101. Mr Franklin D. Huff
  102. 50
  103. Miss Carla Hahn
  104. 51
  105. Mr Franklin D. Huff
  106. 52
  107. Miss Carla Hahn
  108. 53
  109. Mr Franklin D. Huff
  110. Also by Nicola Barker
  111. About the Publisher

My mind suddenly switches back to the dream. Orla’s dream. Aren’t objects in dreams always something other than how they appear? So the tree? That old mulberry tree? How long since I’ve thought of it? Does it represent the past? Does it represent me? My fear? Or … or my Mame, perhaps? The red, remember? Mame’s red?

I consider the actual tree – the old mulberry. I remember gathering fruit from it as a child. Miss Vaughn (Hungarian by birth), who owned the tree back then, was best friends with Mame – Mame’s only friend so far as I can remember. She’d lay out a sheet and then shake the branches. The fruit would come raining down. Mame made jam, cordial, syrup, curd, cobbler, custard, dumplings, sorbet, pikelets. She even glazed the odd chicken and rabbit.

When did that old tree finally die? I don’t remember.

Was the tree still fruiting when the Clearys came to stay?

Wasn’t it already dead by then?

Still, I don’t remember.

But the hands …

‘It is time, meine Carla.’

I find myself standing outside a nearby café. I enter, order a poached egg on toast and a pot of tea at the counter, grab some cutlery and a paper napkin, then sit at a table by the window and gaze out at the quay from this new, slightly more obtuse angle, until the waitress brings me my cup and teapot. I pour out my tea (don’t look at the hands! Don’t focus on the hands!). It’s in one of those squat, familiar, stainless-steel pots (typical of rough and ready catering establishments) and as I lift it to pour I inadvertently catch sight of my reflection in its silver-angled surfaces.

Eh?

I stop pouring, alarmed, and adjust the pot to try and see my cheek in it. Is that …? Ow! A little stream of tea pours out of the full pot and on to my lap. Ow ow! I put the pot down and dab at my trousers with my serviette, then grab my knife and try to see my reflection in it. Useless. Back of a fork. Nope. Teaspoon …?

Uh …? Is that …? I throw down the teaspoon and angle my cheek towards the windowpane. There’s a light on overhead, so perhaps if I …? If I …?

Good heavens! Is that …? Is that a large, black felt-tip mark right across my left cheek? But … but how the heck …?

Argh! Of course! The numbers on my arm! I push up my sleeve. There they are – the four numbers – slightly blurry now. I must’ve slept with my cheek resting against them at some point! And now there’s a giant, black, back-to-front …

I grab the damp serviette and start rubbing away at the mark, focusing very hard, trying to …

Eh?

I de-focus with a slight jump. Someone is … no, no, not someone, Mr Huff – MR FRANKLIN D. HUFF! – is standing at the other side of the window peering in at me! He lowers his knuckle. He has just knocked on the window.