Back Hieroglyphics
Chapters (48)
  1. Cover
  2. Title
  3. Dedication
  4. Shelley
  5. Frank
  6. Lil
  7. Harvey
  8. Lil
  9. Frank
  10. Shelley
  11. Lil
  12. Frank
  13. Lil
  14. Shelley
  15. Harvey
  16. Lil
  17. Frank
  18. Harvey
  19. Lil
  20. Shelley
  21. Harvey
  22. Lil
  23. Shelley
  24. Lil
  25. Shelley
  26. Lil
  27. Shelley
  28. Lil
  29. Harvey
  30. Frank
  31. Shelley
  32. Frank
  33. Harvey
  34. Shelley
  35. Lil
  36. Shelley
  37. Frank
  38. Shelley
  39. Harvey
  40. Shelley
  41. Frank
  42. Acknowledgments
  43. Readers Guide
  44. Writing HieroglyphicsAn Essay by Jill McCorkle
  45. Questions for Discussion
  46. Also by Jill McCorkle
  47. About the Author
  48. Praise for Hieroglyphics

He can’t even recall the young woman’s face, just the kind of energy that comes with such a connection or flirtation, call it what you will, attention, a secret, that feeling of being invited in, everything easy and no strings to tie or alarms going off. He slipped and then floundered, and found himself wanting to be near the young woman in blousy Indian cotton tops and faded jeans and flip-flops, long hair yanked back, and not a trace of makeup on her young, smooth skin, a body tanned and untouched by childbirth cool beneath him. She lay there, arms raised over her head, wispy auburn hair there under her arms, something he found arousing, which surprised him, and he had to shut off that part of his brain where he could hear Lil telling their daughter how she really hoped she would shave under her arms: Lil had called Becca “Fuzzy Wuzzy” and said that rhyme—“Fuzzy Wuzzy was a bear,” like Becca might’ve been six and not a grown woman in her twenties, and a woman in her twenties is every bit a woman, or can be, which had surprised him—and then Becca had said, “Mom, please,” as she had said a million times before, and Frank slammed the door of his mind on them. He slammed the door because he was drawn into the warm smell of citrus and earth, and he had never been kissed or touched that way, or so it seemed, and what were years after all? Lines etched in a tree or a shell or a face.

They passed notes in department meetings and lectures—how innocent was that? Little slips of paper that he threw into the sewer on his way to his car, except then he wanted to save a couple and he couldn’t help but reread them, couldn’t help but study the letters and the word choice: Was there more meaning there?

One day, she drew the Eye of Horus, and he thought of it for days after. Was she suggesting safe travel for them together? Warding off anything that might interfere with what seemed a tender connection? Or was it just fun? A doodle: an eye with the curl below, what could be a tear. It seemed a secret message, and with it came a rush of power and energy he had not felt in years. It was the same kind of sudden excitement that comes when you spot something shining in the earth or the flash of silver with a fish on the line, the tug and pull that exhilarates and, for just that little bit of time, erases all else. He once wrote an article on the earliest known fishhook, carved from a snail shell twenty-three thousand years ago and found in a cave in Okinawa—rustic and primitive, and yet its purpose the same as modern hooks, the need behind the purpose the same.