Back Hieroglyphics
Chapters (48)
  1. Cover
  2. Title
  3. Dedication
  4. Shelley
  5. Frank
  6. Lil
  7. Harvey
  8. Lil
  9. Frank
  10. Shelley
  11. Lil
  12. Frank
  13. Lil
  14. Shelley
  15. Harvey
  16. Lil
  17. Frank
  18. Harvey
  19. Lil
  20. Shelley
  21. Harvey
  22. Lil
  23. Shelley
  24. Lil
  25. Shelley
  26. Lil
  27. Shelley
  28. Lil
  29. Harvey
  30. Frank
  31. Shelley
  32. Frank
  33. Harvey
  34. Shelley
  35. Lil
  36. Shelley
  37. Frank
  38. Shelley
  39. Harvey
  40. Shelley
  41. Frank
  42. Acknowledgments
  43. Readers Guide
  44. Writing HieroglyphicsAn Essay by Jill McCorkle
  45. Questions for Discussion
  46. Also by Jill McCorkle
  47. About the Author
  48. Praise for Hieroglyphics

And how complicated it must be for people these days, with all those devices and chatter—the way you can see where the call comes from, trace it, even tape it. And yet people still find ways to cheat and creep and bury their bones. I am glad I grew up with a rotary phone. I am glad I grew up with silence. I’m glad Frank and I found our way back.

Sometimes lately, here in the blurry buzz of air-conditioning, the soft, cushioned peach-colored carpet under my feet, the Easter egg men and the stark ugly pine trees out the window in the glaring heat, I find my mind takes me home. My first home. I am in Waltham, with the drip, drip, drip of the bathroom sink. My father had tied a cloth around the pipe to muffle the sound until it could be fixed, and yet I could still hear it. And on another night, barely spring outside, he took a hammer to the faucet and then stood back, an arching spray of water covering him and all of the bathroom. He stood there, hammer in hand, and I couldn’t tell if the water on his face was coming from without or within.

I worry about Frank. Every day, I feel him slipping from me; I imagine each day takes him a little bit closer to that place, pulling him like the Sirens calling him into the rocks. Hastening. I look for messages. I look for signs. Every day I think, “It could be today.” I look out and see the bright sunlight and think, “Yes, he would choose a day like today,” a happy, bright day, a day and time opposite from that long-ago accident that changed his whole life. Or I look out in the dark of winter and think: “No, this is it.” He will choose a day to match that of that December night so very long ago. They both make sense, both choices, and we as humans like to make sense. When it rains on a funeral, we say the universe is crying, and when the sun shines, we say the dearly departed is smiling from beyond. Rain on a wedding (like yours, Becca) they say is good luck, and yet on that sunny beautiful day, no one says, “Oh no, I was hoping for a little rain for good luck.”