Back Head Over Heels Save as PDF
Chapters (48)
  1. Dedication
  2. Author’s Note
  3. Part 1. October 2019
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Part 2. November 2019
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Part 3. December 2019
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Part 4. January 2020
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Part 5. February 2020
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Part 6. March 2020
  26. Chapter 18
  27. Chapter 19
  28. Chapter 20
  29. Chapter 21
  30. Chapter 22
  31. Part 7. April 2020
  32. Chapter 23
  33. Part 8. May 2020
  34. Chapter 24
  35. Chapter 25
  36. Chapter 26
  37. Chapter 27
  38. Chapter 28
  39. Part 9. June 2020
  40. Chapter 29
  41. Chapter 30
  42. Chapter 31
  43. Chapter 32
  44. Part 10. July 2020
  45. Epilogue
  46. Acknowledgments
  47. About the Author
  48. Copyright

“If you check out the Notes app, you’ll see the entire breakdown of the choreography,” I explain. “You can follow along, so you can see where, for example, I spin around on my butt, but you’ll actually do a wolf turn.”

“Got it,” she says, peering at the screen.

“And when I do a switch leap with a full turn and it sucks, you’ll do a switch leap with a full turn but make it look good,” I say in the same matter-of-fact tone, hoping she’ll laugh.

She snickers. “Understood.”

I unzip my hoodie and kick off my sneakers. They’ll only get in the way. I hear the bars creaking on the other side of the gym; Ryan is doing pull-ups. His muscles bulge cartoonishly. I force myself to look away.

“Ready?” she asks, once I’ve struck the starting pose on the floor.

“Ready!” I say.

“Jazz Fling” fills the room. To the extent that I can, I perform the hell out of the routine with the same passion and intensity I used to give the judges. I need to sell Hallie on this routine. It strikes me—while upside down, midway through a cartwheel we’re all kindly pretending is Hallie’s third tumbling pass—that the thrill of this performance isn’t so far off from the adrenaline high I used to get from doing my own routine during competition. Maybe there can be real joy on the sidelines as a coach and a choreographer. When I’m finished, I retreat toward her, trying desperately to catch my breath.

“Okay, cool, teach me,” Hallie says, bouncing up to her feet.

“You like it?” I ask.

“Well…” She fidgets, scratching the back of one calf with the other foot. She looks at me with a shy gaze. “It’s different. I’ll give it a try.”

She’s clearly skeptical, but not strong-willed enough to challenge my judgment. I’m relieved she doesn’t reject the routine flat out, but I know I can’t let my expression waver. The coach-gymnast relationship is sacred and built on a concrete foundation of respect and trust; she can’t catch on to the fact that I’m anxious and have feelings that can be hurt, just like anyone else.

“Whew, okay. Let’s break it down from the top. Start here, a couple feet out from this corner,” I instruct, pointing to the spot in which she needs to stand.

From the other side of the floor, I see Ryan watching us with a smile.