Back Harvesting Save as PDF
Chapters (50)
  1. Cover
  2. Halftitle
  3. Title
  4. 1. Nico
  5. 2. Sammy
  6. 3. Nico
  7. 4. Sammy
  8. 5. Nico
  9. 6. Sammy
  10. 7. Nico
  11. 8. Sammy
  12. 9. Nico
  13. 10. Sammy
  14. 11. Nico
  15. 12. Sammy
  16. 13. Nico
  17. 14. Sammy
  18. 15. Nico
  19. 16. Sammy
  20. 17. Nico
  21. 18. Sammy
  22. 19. Nico
  23. 20. Sammy
  24. 21. Nico
  25. 22. Sammy
  26. 23. Nico
  27. 24. Sammy
  28. 25. Nico
  29. 26. Sammy
  30. 27. Nico
  31. 28. Sammy
  32. 29. Nico
  33. 30. Sammy
  34. 31. Nico
  35. 32. Sammy
  36. 33. Nico
  37. 34. Sammy
  38. 35. Nico
  39. 36. Sammy
  40. 37. Nico
  41. 38. Sammy
  42. 39. Nico
  43. 40. Sammy
  44. 41. Nico
  45. 42. Sammy
  46. 43. Nico
  47. 44. Sammy
  48. 45. Nico
  49. Author’s Note
  50. Acknowledgements

In the hall we are given big baggy clothes to put on over our tiny outfits. I’m sent in a car with Ling and the two dark sisters, who hold their bodies like cats under threat from a pack of wild dogs, every sinew straining. Sorry, sorry, sorry, I want to reach out my hands and take theirs, but I’m frozen, and know that nothing I say or do will make that moment disappear. Instead I make sure that Ling gets in the middle so they don’t have to sit beside me. The driver is a skinny young boy who whistles as he drives. We pull up outside a tall house made of red bricks, with three stretched, shiny cars outside, and a neat, clipped garden with roses so perfect they don’t look real. There’s a small watering hole with a statue, its mouth gaping open like a fish, water gushing through. The driver tells Ling and me to get out and continues off down the road with the sisters. A woman in a white uniform answers the door and turns on her heel as if she is disgusted by what she sees. We follow her broad back down a hall with a marble floor and steel rails on the walls.

She brings us to a room with a huge unlit fireplace, tall windows with heavy curtains fully drawn, and oversized couches. There’s a wide TV mounted on the wall that’s playing very loudly. Ling sits directly in front of it, and I watch as the expression on her face empties out. People on the screen are watching other people on the screen as they shout at each other, their faces full of hatred, and the people watching either cheer or boo. I pull my eyes away from the images and the noise, and get up and walk around the room. This place smells of antiseptic and old people. I remember reading Treasure Island to my baba at the end, her freckled hand holding tightly to mine. Her room smelt musty, a mixture of talcum powder and moss, disguised by bleach that used to attack my eyes and make them water. I rub them roughly now. Maybe this is all they want us to do here, yes, maybe we’ll be reading to an old person, a sick person, yes, maybe this is why we are covered up. Yes. I am nodding my head, trying to convince myself, the way Mama used to. The nurse returns and clicks her fingers at us to follow her. We shuffle along a brightly lit hall until we reach a door that’s ajar, and Ling and I are ushered inside.